Julien Langendorff - KG Management

A collage of black-and-white photographs featuring Black musicians and couples is layered over a large, green vinyl record. In the center, a man with an afro is highlighted in purple, while other figures play instruments including a saxophone, cello, and guitar against a bright yellow base.

A collage features a large, pink-toned portrait of a woman in the upper half. Below, a person in a patterned dark shirt plays a lyre, while other figures, including a man in a light suit and a smaller man with bright orange hair playing a guitar, are layered against a blue and yellow background.

An artistic poster shows a person seen from behind, their silhouette filled with a colorful, iridescent gradient and framed by large, dark, textured organic shapes. The text ideal trouble 26 - 28 juin 2026 paris is printed on the left side against a textured, light grey background.

A stylized magazine cover features a collage of Chernobyl in black, white, and magenta. The image shows the nuclear reactor building, figures in hooded protective gear walking across an empty stadium, and a sign reading PRIPIAT in Cyrillic, overlaid with large E typography.

A collage against a bright red background features Billie Eilish with a large gold chain in the foreground. Surrounding her are several figures, including a vintage-style portrait of a man, a classical statue in a dynamic pose, and a group of men in dark suits.

The cover of Les Inrockuptibles magazine features a collage of cultural icons including Lana Del Rey, David Bowie, Amy Winehouse, and Daft Punk against a light blue background. Large white text reads 100 œuvres qui ont changé le 21e siècle, surrounded by various figures and movie titles.

A collage of four faces in high-contrast colors is set against a torn yellow and purple background. In the foreground, two shirtless men look at each other, while a third man with his eyes closed and a woman with a somber expression are layered behind them in orange, pink, and blue tones.

A vibrant yellow poster for LE GOSPEL features a collage of people in alternative subculture fashion. Characters in dark clothing and edgy makeup are layered over a grainy, high-contrast background. The text NEO METAL and théories hybrides et intimes is written in a stylized, hand-drawn font.

A book cover shows a person in a ruffled white skirt lying on a dark wooden floor against a purple, collaged landscape of mountains and desert. The title Un Opéra deau amère appears at the top in large white text above author and translator credits.

The front page of the Le Monde argent newspaper features a central illustration of a person balancing on a glowing Bitcoin symbol above a jagged, dark landscape. Bold text warns of danger in cryptocurrencies, while surrounding columns contain financial news and editorial analysis.

A large Ethereum cryptocurrency coin floats against an orange and black background with lightning-like streaks. Beneath the coin, several human hands reach upward with palms open, as if trying to grasp or touch it. The style resembles a grainy, cutout-paper collage.

A collage of concert posters and torn paper features a central graphic for a Foo Fighters 2026 tour. Surrounding elements include text for Celine Dion, a yellow Bad Bunny section, and monochrome photographs of large stadium crowds layered over red shapes and bold black typography.

A collage of soccer-themed imagery features a central black-and-white portrait of a woman with an afro and large hoop earrings wearing a graphic jersey. Surrounding her are colorful, torn-paper fragments depicting young soccer players, various national team logos, and soccer ball segments.

The magazine cover Le 1 features a large, black-and-white portrait of George Orwell. Below him, a collage includes figures like Xi Jinping, Donald Trump, and Kim Jong Un, alongside hands holding smartphones, set against a backdrop of dark, grimy buildings.

A collage features jagged, golden-brown rock formations set against a night sky with light streaks. In the center, a rectangular cutout displays two crescent moons stacked vertically on a dark background, while the bottom section depicts a sunset with orange and dark clouds.

A group of people standing on a craggy mountain ridge hold hands and look toward a brightly glowing monastery nestled in the peaks above. The scene uses a high-contrast style with bold red figures, blue terrain, and a dark starry night sky streaked with light.

Four women in white bikinis stand with their backs to the camera before red dome tents. Above them, a large black circular shape is surrounded by a vibrant orange and red glowing halo against a dark sky. The ground is scattered with debris and white fabric.

A collage shows a classical marble statue of a woman against a dark, starry background. The left side of the image is torn away to reveal a glowing nebula and a bright lens flare, while a thin, curved line of light arches over her head.

A collage shows a woman in a white dress lying peacefully beneath a row of bright, flickering candles. Below, a torn edge reveals a dramatic sunset landscape featuring dark, glowing clouds and a sliver of the sun against a deep orange sky.

A black-and-white collage shows a central classical statue of a nude woman with chained wrists, flanked by two partial figures of living women embracing her. The composition is formed by torn paper edges, layering the antique sculpture over the figures of the two women.

A collage shows a pair of hands and shoulders at the bottom, topped by a torn layer of paper featuring a large flock of silhouetted birds. The image has a vintage, muted aesthetic with speckled white highlights scattered across the composition.

A young woman with long dark hair sits on wooden steps in this high-contrast poster. The image features a vibrant red and pink overlay with bold black text reading FRANÇOIS MOREAU-MARTINEZ and LE MEILLEUR CAFE DAMÉRIQUE.

A collage features a classical statue of a draped figure standing centrally against a dark background. Surrounding the figure are fragmented images of light-refracting prisms, glowing spectrums of rainbow colors, and abstract geometric patterns.

A young woman with long hair poses in a black dress with intricate cut-outs. Superimposed in the foreground are two large, golden, hook-shaped rings. The background features a high-contrast blend of textured black and white patterns.

A model with long, straight hair stands wearing a floor-length, light-colored silk slip dress and a fluffy shawl. She is positioned inside a large, golden ring against a dark, textured background with abstract vertical light streaks.

A collage features a classical marble bust of a person with a draped garment, their upper face obscured by a jagged, torn-paper overlay. A dense, swirling flock of black birds fills the sky above the torn edge, replacing the figures forehead and eyes.

A collage in black and white features a person in a draped garment standing before a large, bare tree. In the foreground, two hands hold a small sword, while dense fields of flowers flank the figure on both sides.

A collage in black and white features two bell-shaped flowers hanging over a pair of hands touching a textured, fur-like surface. The composition uses layered, torn paper with a dark, speckled background that fades into a misty, ethereal bottom section.

A dark, hooded figure stands behind a black, tiered surface patterned with white crescent shapes resembling moon phases. Silhouetted, leafless trees against a bright, hazy sky fill the background above the structure.

A collage shows a stone cross being held by two pale, sculpted hands. A jagged, vertical tear divides the composition, revealing a dark, textured background on the right side.

A collage shows a classical marble statue of a nude woman holding a harp, superimposed over two cropped photographs of women in vintage clothing. One woman lifts a white sleeve to her mouth, while the other sits wearing a yellow garment. The composition features torn edges.

A collage features the inverted face of a blonde person centered against a dark background. Surrounding the face are torn paper fragments of dried seed pods, a moth, and a yellow flower, all layered to create a surreal, nature-inspired composition.

A mixed-media collage features a woman with blonde hair lying with her eyes closed on a patterned purple pillow. A torn, jagged edge across the top reveals a large, shimmering iridescent crystal cluster against a black background.

A collage illustration shows a silhouette of a person standing in a purple, mountainous landscape alongside three wolves. The right side features a bold white headline reading TUEUR DE LOUP over a paragraph of French text describing a wolf found dead in a village.

A collage showing a wolfs face layered with torn-paper effects. The image alternates between deep purple shadows and grainy, black-and-white textures, creating a dramatic, jagged aesthetic.

A screen print features a gradient from yellow to pink, showing a collage of human skulls and flowing hair. The imagery appears textured with rough, distressed edges, layered over similar prints on a white background.

Book cover for La Maison du Diable by John Darnielle. In the foreground, three hooded figures stand before a church silhouetted against a chaotic, high-contrast background of vibrant magenta and orange flames.

A vibrant collage of black-and-white portraits of diverse young adults is layered over a bright red background. The handwritten black text reads NOS JEUNES on the left and GENS MODERNES on the right. A prominent blonde woman in the foreground faces slightly upward.

A blonde woman in a white tank top looks upward with a surprised expression. She is set against a stylized, bold graphic background of intersecting pink and red shapes.

A pop-art style collage features two men against a red, yellow, and blue background. In the foreground, a man with an afro wears yellow-tinted sunglasses and a gold chain. Behind him, a man in a long dark coat and sunglasses walks toward the right side of the frame.

A portrait of a man with light hair and stubble is layered over a collage of torn, vibrantly colored paper in shades of pink, yellow, orange, and purple. The background and his clothing appear to be constructed from jagged, overlapping strips of textured, solid-colored paper.

A young woman performs a standing split pose on a balance beam in a gym. Behind her, a large, colorful paper cutout of swirling red and orange flames creates a vibrant backdrop against the black-and-white scene. She wears a patterned long-sleeved shirt and light-colored pants.

A black-and-white photo of a rider jumping a horse over a fence is overlaid with vibrant, stylized paper-cutout flames in shades of red, orange, and yellow. The rider wears a helmet and one arm raised while the horse is mid-leap in an outdoor riding arena under a cloudy sky.

A grayscale portrait of Taylor Swift is layered over a purple-toned collage of a crowd of people wearing Trump campaign hats and apparel. The silhouette of the crowd is cut into the right side of her face, with text on the hats reading Save America and Trump 2024.

A collage features a large, magenta-tinted Taylor Swift singing, a black-and-white portrait of Donald Trump, and Kanye West standing against a black-and-white map of the United States. The images are separated by jagged, torn paper edges.

The cover of LÉquipe magazine features a torn, collage-style photograph of the Diplomatic Hotel in Mendoza, Argentina. The image blends a golden-hued exterior view of the high-rise building with a stark, black-and-white image of a bare tree, overlaid with bold French headlines.

A collage shows two people with long, wavy hair embracing from behind. Their shoulders are bare, and a large snake with a patterned, scaled body is superimposed across their lower torsos, partially obscuring them. The image is in black and white with torn paper edges.

A collage shows a classical marble statue of a woman holding a small sphere in one hand and a modern tube of lipstick in the other. Her torso is revealed through a jagged rip in a dark background, while below her, the back of another figure is partially visible.

A collage depicts a large, realistic human eye set within a rough, torn piece of parchment against a dark background of white floral silhouettes. The eye, featuring a cracked iris, is layered over a dark, speckled backdrop resembling a starry night sky.

A collage featuring a close-up of a blonde woman with her eyes closed and bright pink lips resting on a dark surface. Below her, two rectangular panels display abstract, cloudy white shapes against a stark black background.

A black-and-white collage shows a persons bare legs extended upward from a recumbent position. Below the legs, a large, dark, textured snake winds across the frame against a distressed paper background.

A lion-head brooch crafted from white and yellow gold, paved with diamonds and accented by deep red rubies, hangs centered against a collage of botanical images. An oval-cut red gemstone dangles from the base of the intricate, multifaceted piece.

A diamond and pearl necklace is centered against a background that transitions from a cloudy sky at the bottom to a glowing, sun-like orb at the top. The intricate, arched piece features woven silver settings, rows of small pearls, and a prominent oval-cut diamond at the center.

A circular, intricate brooch set with diamonds and pink gemstones sits above a collage of a womans lower face, a pink camellia flower, and botanical patterns. The piece features a central diamond surrounded by symmetrical, filigreed metalwork against a dark floral backdrop.

A high-jewelry ring and matching drop earrings feature large oval blue and yellow stones accented by black onyx, diamonds, and small gold stars. The jewelry is set against a vibrant, abstract background of blurred multicolored shapes in blue, green, pink, and yellow.

A wide gold chain-link necklace features a central diamond-paved lion head motif adorned with deep red gemstones. The intricate piece is finished with a dangling pear-shaped diamond drop and set against a vibrant, abstract background of warm orange and red light patterns.

A black-and-white art poster features the lower half of a persons body curled up above a row of vertical white shapes. Text at the bottom reads, Rive Droite, Julien Langendorff Exhibition, Until October 17, Paris and Los Angeles.

The book cover for Le Vingtième Siècle by Aurélien Bellanger features a cream-colored top half with black and red text. The bottom half displays a black-and-white, torn-effect portrait of Walter Benjamin, with the authors name and the publisher Gallimard printed along the edges.

A collage of fashion items includes a sparkling star-shaped brooch, a bottle of LIris de Fath perfume, a metallic Balenciaga shoe, and a Bottega Veneta heel. In the center, fragmented black-and-white portraits of a person are layered with stylized, silver-toned abstract jewelry.

A collage of fragmented female portraits features close-ups of eyes, lips, and faces arranged against a dark, textured background. The pieces are torn with ragged white edges, creating a layered effect that reveals different skin tones and expressions.

A surreal collage features multiple cropped images of womens faces and hair overlapping against a soft pink background. A large, braided ponytail dominates the center, surrounded by close-up portraits of faces with neutral expressions and bare shoulders.

A collage depicts a black-and-white close-up of a persons face looking upward as a hand administers an injection near their temple. Bright pink roses frame the central image against a torn-paper background showing a dark sky with a glowing sun.

A collage features a black-and-white close-up of a smiling womans face on the left, partially obscured by a large, colorful butterfly wing. On the right, a second womans face with a natural skin tone rests against a vibrant orange and yellow sunset background with two suns.

A paper collage features a bright yellow sun setting behind dark hills under a fiery orange and red sky. The foreground shows a silhouetted landscape with rows of small, glowing red lights, creating a textured, surreal atmosphere with visible torn paper edges.

A collage shows the smiling face of a woman centered between two torn paper sections. The top layer features a black-and-white sky with clouds, while the bottom layer depicts a vibrant orange sunset over a dark landscape.

A collage shows a large, bright yellow sun behind dark clouds hanging over layered hills. The foreground features a dark, textured landscape dotted with glowing red circular lights.

A collage poster features a close-up of a blonde persons face layered with a white shell and a moth against a black background. Bright orange and red light saturates the imagery, with white text reading ideal trouble 3-14 juin 2022 paris centered in the middle.

A collage features the iconic Welcome to Fabulous Las Vegas sign partially layered under a torn, red abstract shape. Above, a white star shines over a dark, textured background, while the face of a person with blonde hair peeks out from the right edge.

A decorative, ornate goblet is centered in a collage made of torn paper. The background layers feature vibrant red, abstract textures on the left and a black-and-white mountainous landscape overlooking a sea of clouds on the right.

A collage of a classical marble face appears with a teardrop falling from one eye. Circular, moon-like orbs are positioned above and below the face, and ornate, cross-like gothic designs extend from the left and right sides. The image is rendered in high-contrast black and white.

A weathered human skull sits partially submerged in a shimmering, high-contrast sea. The background transitions from the bright, textured reflections on the water to a solid, flat black sky.

A mixed-media collage features a close-up of a persons lower face surrounded by detailed moth wings and a cluster of vibrant purple mushrooms. Dark, abstract shapes and a starry, deep blue night sky form the textured background of this surreal composition.

A pale hand reaches toward three vibrant mushrooms against a dark, textured collage background. The mushrooms have deep purple and bright pink caps, set against abstract shapes, leafy white foliage, and jagged layers of blue and black paper.

A collage shows a silhouette of a man standing in the center surrounded by people using smartphones and a white airplane flying overhead. Below them, stacks of fifty and one hundred euro banknotes and a white car are integrated into the textured, torn-paper orange background.

A collage features multiple hands holding smartphones displaying black-and-white photos of food. In the background, a person in a pink shirt takes a photo with their own phone, while a gold fork overlays the scene against a textured, orange and magenta abstract background.

A person in red and white striped bikini bottoms reaches behind their back to hold two vibrant butterfly wings that appear to be tucked into their waistband. The close-up view highlights the textured orange and black patterns on the wings against the persons sun-kissed skin.

A magazine cover titled BIG BANG features a persons bare thigh and hip resting against a globe of the Earth. Text at the top reads LALMANACH DES POSSIBLES JANVIER 2022, while the bottom text reads ORGASMES POUR TOUS! in bold white letters.

A collage shows a pair of smooth, tan human legs in the foreground, with one foot wearing a vintage-style cream sandal. Behind the legs, the Sydney Opera House is layered in black and white against a peach-toned background.

Two figures in vintage workwear and hats sift through gold Bitcoin coins against a dramatic, moody sky of swirling dark and yellow clouds. The collage-style image shows one person crouching and the other standing, both using metal pans to gather the glowing currency.

A patterned snake winds through large, black-and-white flower petals interspersed with several gold-toned Bitcoin coins. The collage features a mix of high-contrast photographic textures and illustrated metallic elements.

A collage combines an image of a hand gripping a long lock of blonde hair with a close-up of a weathered, textured face. Below, torn paper reveals a gothic cathedral interior with tall, dark, rhythmic stone pillars and architectural arches.

A collage features a classical marble bust of a woman set against a starry black sky. Below her, a dark pond filled with lily pads and a single white flower merges with the statue, while a wispy trail of smoke or a spiderweb drifts from her lips.

A collage features a double-exposed bust of a classical statue against a black, starry background. On the left, a textured, torn-paper fragment suggests a stone wall, while a sprig of ivy climbs the right side. The entire composition has a monochromatic, moody aesthetic.

A collage of a classical marble bust of a woman looking downward, positioned above a torn edge revealing a dark purple and black starry nebula. The upper section features a textured, cracked dark background, while the lower section depicts a vibrant galaxy with white pinprick stars.

A black-and-white collage of orchid blossoms is centered over a vibrant background. The backdrop features fiery orange and red splatters at the top, transitioning into a deep blue horizontal section at the bottom with a streak of white light.

A collage features a large, pale, drooping flower against a black background positioned above a green, textured cliffside. A small, circular image of Earth hangs in the star-speckled sky to the left, while a dark, shadowy expanse occupies the lower right.

A collage features a pale pink rose at the top over layered, distressed textures in shades of red, black, and peach. A solitary yellow sun sits against a solid red background at the bottom of the composition.

A collage shows a pair of bare feet wrapped in white fabric against a black background. The center image is framed by a darker border featuring stylized white flowers and scattered white specks resembling stars or dust.

A black and white collage shows two hands bound at the wrists, reaching upward against a backdrop of a dense, starry galaxy. The hands are set within a torn, irregular cutout that reveals a dark, speckled space scene.

A collage features a central rectangular photograph of a womans back with long blonde hair, surrounded by a black-and-white pattern of rounded stones. Below this, a strip of textured gray sits above the handwritten text Calm on the Rocks.

A surreal collage depicts the silhouette of a person floating above a vibrant, cosmic landscape. Below, a yellow sun sets over a pink and orange horizon with dark trees, while white paint strokes streak across the scene. The words Calm on the rocks are written in script at the bottom.

A collage features five young adults against a pink background, framed by a vibrant arch of white, yellow, and peach flowers and two translucent cherubs. The image has a distressed, weathered texture with white vertical cracks running through the figures and the floral arrangement.

A collage of Oasis brothers Noel and Liam Gallagher set against a vibrant red background. The black-and-white portraits are divided by jagged, torn paper edges, layering the musicians over a dense, grainy crowd of concertgoers.

A fragmented collage shows a womans face with smudged mascara and intense eyes peeking through torn black paper. The dark background is accented with bright white lightning bolts and a glowing starburst, creating a moody, dramatic aesthetic.

A collage of figures in vintage clothing is set against a dark background with a red, neon-lit CBGB OMFUG awning at the top. A man in a suit talking on a phone dominates the foreground, while various people in 1980s attire are layered throughout the cracked, distressed composition.

A portrait of a woman with dark hair and heavy eye makeup stares directly forward, a large, glowing halo-like circle positioned behind her head. The distressed image features grainy black-and-white textures with frayed, weathered edges.

A woman with dark hair and a neutral expression stands behind a large, light-colored stone cross. The image has a textured, weathered appearance, layered over a dark background filled with small, circular shapes resembling water lilies.

A woman in a bikini sits on rocks beside a human skull under a dark solar eclipse. Behind her, a jagged lightning bolt strikes near a tombstone on a textured, grainy horizon. The black-and-white scene is stark and high-contrast, evoking a gothic, surreal atmosphere.

A collage features a large, distressed black-and-white portrait of a man screaming, with the text HELL REFLEX visible near his mouth. Below him, a small silhouette of a couple stands on a textured, golden-yellow landscape overlooking a dark, silhouetted horizon.

A black circle with a thin, glowing red rim sits against a dark background, evoking a solar eclipse. Below it, a jagged, inverted rock formation floats above a pale, misty landscape in a surreal, dreamlike composition.

A monochromatic collage shows two stacked images. The top panel features a pair of slender hands resting on a dark surface, while the bottom panel displays a long-exposure photograph of a bright comet streaking across a grainy, star-filled night sky.

A mixed-media collage features a close-up of a persons face partially obscured by a textured, metallic gold and dark blue butterfly wing. The subject has closed eyes and blonde hair against a black background, with visible seams where different paper textures overlap.

A collage depicts a persons face resting on a hand, layered beneath a thorny, frost-covered plant stem. The background is dark, with splatters of black paint and an underlying pattern of gold metallic squares near the persons wrist.

A paper collage features the close-up of a persons dark, outlined eye layered above a separate image of a bare arm adorned with thin bracelets. The fragmented composition includes rough, torn paper edges and a textured, gold-colored section.

A collage shows a woman with long hair brushing her hair in a darkened room, her face obscured by the edge of the paper. To her left, a bright red circular light glows against a deep black background, contrasting with the soft, muted tones of the woman and faint flowers.

A surreal collage features the upper torso of a person with long hair against a vibrant red and orange background. Beneath them, a torn black section displays a large white seashell, a moth, and blurred orange floral petals.

A blue-tinted collage of a persons face floats above a sunset landscape silhouette, overlaid with wisps of neon pink paint. Dark birds fly across the sky, and textured patches of metallic silver leaf accent the top and bottom of the vertical composition.

A surreal collage features a womans face partially obscured by a birds beak and an oval mirror, set against a dark purple background with white lightning bolts. She wears a necklace with a skull pendant, and layered beneath her are abstract shapes in orange, red, and beige.

A collage shows hands gripping a dagger upright against a dark background, partially obscured by paper tears. Bright orange and black butterflies rest upon clusters of light purple flowers that frame the lower and left sections of the composition.

A surreal black-and-white collage features a kneeling figure holding a clock over their lap. Above them, a glowing dark circle resembling an eclipse floats in a spray-painted, textured sky crossed by thin, web-like white lines.

A mixed-media collage features a black-and-white close-up of a face with birds positioned over the eyes. Below the chin, wispy black fibers drape over a dark, textured base that resembles a star-filled night sky, all set against ragged, torn paper edges.

A monochrome collage features a silhouetted Greek temple atop a textured, abstract background of grainy gray layers and harsh, white paint strokes. The edges are weathered and distressed, blending dark ink splatters with torn paper effects.

A collage features a close-up portrait of a womans face, partially obscured by torn paper layers. Behind her, a blue silhouette of a castle stands against a starry sky, while other sections include black-and-white images of a fruit bowl, a bare tree, and a metal chain.

A collage shows a woman drinking from a can while oriented upside down against a dark space background. Above her, a torn piece of paper reveals a rust-colored texture and a red, spindly spider-like shape. The image is framed by jagged, torn edges.

The book cover for Mondocane by Jacques Barbéri features a surreal black-and-white image of a face with a single, centered eye. Two hands with fingers spread are held up against the face, which is partially obscured by a torn paper effect.

A book cover for Philip K. Dicks Nouvelles complètes I featuring a collage portrait of the author. His face is layered over a dark, patterned background resembling a circuit board, with bold red and black text set against a white upper portion.

The book cover for Lâge de la régression features a white background at the top with red text. Below, a black-and-white fist punches through a dark, cracked surface to tear apart a red sheet of paper bearing the text CODE DU TRAVAIL in bold black letters.

Born in Paris in 1982, visual artist Julien Langendorff has been exhibiting his work in international galleries, art centers and museums since the mid-2000s.
His collage practice, which explores heterogeneous iconography (including erotica, occultism, teen magazines, natural history and religious imagery) in a quest to poetically re-read the world, deploys a symbolist language nourished by dark romanticism, gothic sensibility and punk aesthetics. Tears and creases, the addition of materials and paint, and the manipulation of printed textures are all vehicles of expression and style for this “dandy of the image”, as art theorist Nicolas Bourriaud has defined him, as well as the desire for an artisanal approach in which gesture and even accident play a predominant role.
Julien Langendorff’s strong links with music as an inspiration and environment have led to numerous collaborations in this field (record sleeves, concert posters and music videos for Thurston Moore, Zombie Zombie, Calvi On The Rocks and Rock En Seine), but he has also opened up his field of commissioned work to the press, publishing and fashion.
His works are part of numerous private and public collections, including the agnès b. collection, with which he has presented several solo exhibitions around the world, and that of the Musée des Abattoirs / FRAC Occitanie Toulouse.