Candice Roger - KG Management

A child in a striped shirt holds a clear plastic bag of water containing a piranha up to their face. The illustration uses stippling for shading, and the fish has a jagged, toothy grin. In the bottom right corner, the artists name, Candice Roger, is written in a small box.

A person in a blue shirt and dark pants sinks into light blue water, leaving a trail of bubbles behind them. Several sharks swim in the surrounding water, including a large one near the bottom right corner. The illustration is drawn in a comic book style with clean black outlines.

A person in a red robe pours champagne into a glass beside a sea urchin on a plate. Another hand wearing gold rings and bandages rests near a second sea urchin, while a cooked crab sits on a plate in the foreground. The scene is set at a table with a pink cloth.

A man with dark, wavy hair stands with his back to the viewer, looking out a large wooden window with white closed shutters. He wears a tan suit jacket and stands against a solid, dark teal wall. The artists name, Candice Roger, is written in the bottom left corner.

A polar bear, lynx, otter, owl, and other animals travel together on a wooden raft in the sea. Nearby, a swordfish swims alongside the raft, while a seal and beluga whale emerge from the water. To the right, bold text in French highlights the theme of biodiversity loss.

A person in a blue jacket holds a smartphone displaying an online listing for a red bicycle on the website Leboncoin. Beside them, a single bicycle wheel is locked to a gray metal pole. The image uses a stylized, dotted illustration technique.

A person with dark hair seen from behind wears a dark coat and yellow gloves while washing dishes at a pink-tiled sink. A towering, precarious stack of plates, bowls, and pots balances next to a red drying rack. A green, white, and red plaid towel hangs on the wall to the right.

A realistic human eye peers through a heart-shaped keyhole set against a solid red background. The surrounding skin is rendered with fine stippling, and a small signature box labeled Candice Roger appears in the bottom right corner.

A pair of gloved hands examines a box of personal items including a slice of pizza, a Santa figure, and a photo of Andy Warhol. The scene is laid out on a table with various objects like a newspaper, a Dior box, and candy, topped by the French title Lhomme qui triait les précieux déchets dAndy Warhol.

Two people seen from the back sit on a wooden fence, wearing denim overalls and jeans with star-spangled socks and cowboy boots. Below the fence, a brown horse and a black horse run through bright orange flames against a flat landscape.

A woman with long brown hair sits at a table drinking milk from a glass, while an orange tabby cat next to her laps liquid from a stemmed coupe glass. They are positioned before a floral wallpaper, with an open book and a closed yellow book resting on the table surface.

A person with dark hair floats inside a heart-shaped outline above a table laden with food. The table includes a tiered cake, a strawberry gelatin mold, plates of fruit and shellfish, and two lit candles, all set against a vibrant red, draped background.

A person with dark hair and glasses sits at a desk writing in a book, flanked by stacks of books and a sign that reads DÉDICACE 14H-19H. They wear a blue button-down shirt and orange utility pants. Beneath the desk are a broom, a red toolbox, a hammer, a backpack, and a hard hat.

A man with long wavy hair and a blue coat sings in the foreground as three men in historical 18th-century attire react with shock behind him. They stand on a garden path in front of a large stone mansion surrounded by lush green trees and manicured hedges.

A procession of servers in 18th-century attire carries a large platter of roast meat through a grand, paneled hall. In the foreground, courtiers in elaborate wigs and colorful coats bow low, holding their feathered hats toward the floor as the servers pass beneath a crystal chandelier.

A shopping cart overflowing with consumer goods, including a television, boxes, and bags, is pushed by a person in a brown coat. The magazine cover features the bold French headline POURQUOI AIMONS-NOUS TANT ACHETER? and lists article titles related to consumerism on the left side.

A man in a suit and black domino mask sits in an ornate armchair, surrounded by fine art and a briefcase full of cash. The room is decorated with various paintings, sculptures, and masks on the walls, creating a sophisticated gallery-like setting.

A gallery visitor carries a large tote bag containing various art objects past a museum guard. Nearby, a person with headphones looks away while a small statue and a clay vessel lie on the floor. Several framed paintings hang on the white walls surrounding them.

A man with a mustache in a dark blue coat stands in a cathedral, holding a white cloth and a small framed picture. Behind him, the high-vaulted stone interior features wooden pews, decorative carvings, and large stained-glass windows glowing in warm oranges and purples.

A blond person in a blue suit stands in a courtroom facing two judges in red and black robes. To the left, a table displays several Egyptian artifacts including a golden mask and a bust of Nefertiti, while a lawyer in black robes takes notes at a desk on the right.

An officer in a light shirt and a handcuffed person in a brown sweater stand before a modern house by a pool. The patio features classical statues, a small sphinx, and red lounge chairs, all set against a backdrop of desert hills under a clear blue sky.

A man in a suit plays a game of chess on a board cluttered with toppled pieces painted in the colors of the Russian and Ukrainian flags. He looks down at the board with a focused expression as he prepares to move a yellow-and-blue bishop piece.

A person draped in a white sheet like a ghost sits on a floral chair, talking on an orange rotary phone. A small cat, also wearing a white sheet, sits on the chair beside them. The background is a flat, solid light blue.

Two horses and their riders leap from a high metal diving platform into a pool, observed by a crowd of onlookers from below. The style is a colorful illustration with black outlines. The signature CANDICE ROGER is visible on the edge of the pool.

A school lunch tray sits on a floral background, featuring a serving of red sauce with HAVE A GOOD DAY spelled out in letters, a pile of sad-faced potato snacks, a sliced green apple, and mixed vegetables. A glass of water with a tablet in it sits beside a plastic fork.

A person with dark hair wearing blue swim goggles floats in light blue water. Other panels show a discarded soda can on sand, a mosquito on skin, a person in a white hat sitting on a beach, and a melting red, white, and blue popsicle dripping onto a hand.

A person in a dark coat and navy trousers walks down a hallway, flanked by four cats wearing futuristic silver visors. The cats, in various shades of grey, orange, and brown, follow the person across a patterned rug in a bright, vintage-style illustration.

A jeweler examines a diamond held in tweezers through a magnifying loupe. The diamond contains an illustration of a green leaf inside its facets. The illustration is drawn in a stippled, comic-book style against a light blue background.

An old television sits in a grassy landscape next to a stack of books titled Utopie, 1984, Fahrenheit 451, Silo, and Civilization. The screen displays a group of women in red cloaks and white bonnets, while patches of green moss grow on the television and books.

A woman with dark hair in a green sweater holds a lighter to a cigarette in the mouth of a doll wearing a colorful harlequin outfit. The dolls head is engulfed in bright orange flames, and the scene is framed by red stage curtains against a blue window.

A man sleeps in bed while miniature, storybook-style figures interact with him and his belongings. One tiny person combs his hair, others stand on his chest and arms, and one sits by an ashtray. The illustration is drawn in a vintage, cross-hatched comic style.

A person with long brown hair bends over through a white plastic chair, their head hanging down towards the floor. They wear a pink long-sleeved shirt, a red skirt, and black and white loafers. A small box in the bottom right corner reads, Candice Roger.

A group of diverse individuals wearing swim caps stand waist-deep in light blue water. They are dressed in casual button-down shirts and jackets, looking in various directions against a flat, solid blue background. A signature in the bottom left corner reads Candice Roger.

A crowd of people with their backs turned is depicted in a stylized illustration with a beige background. The figures have varied hairstyles and wear blue shirts and jackets, except for the foreground person in a tan knit vest. A small signature is visible on the vests hem.

A person with dark hair wearing a blue button-down shirt rests their chin on one hand at a table. In front of them, a tall glass of beer contains a dissolving effervescent tablet, while a word search puzzle lies on the wooden tabletop nearby. The illustration uses a dotted stippling style.

A white marble bust of a stoic Roman man is surrounded by numerous hands thrusting microphones toward his face. The artistic illustration uses a dotted shading style against a light blue background, with the artists name, Candice, signed in the bottom right corner.

A scientist wearing protective eyewear, a face mask, and gloves stares intensely through a pane of glass at a large ant. The ant stands on a white surface near a cookie studded with dark chocolate chips. The image uses a stippled, illustrative art style with muted colors.

A large brown ant stands on a rocky surface, surrounded by floating circular icons. These icons depict a human brain, a self-driving car, binary code, a computer chip, and a robot head. The illustration uses a muted, comic-book style with thick black outlines.

A person holds a half-eaten burger in one hand and a smartphone in the other, displaying a social media video of a person playing guitar for cows. Beside the burger is a white takeout cup with a lid, all resting on a wooden surface with a red-and-white striped paper wrapper.

A woman with dark hair lies face-down on a plaid sofa, her legs kicked up in the air wearing black heels. The sofa and the rooms walls are covered in the same muted, grey-and-white plaid pattern. She wears a matching plaid suit and looks toward the viewer with a neutral expression.

A person curls on the floor under a heavy red theater curtain, only their legs and one arm visible. They wear a short white garment and gold-colored heels, illuminated by a circular spotlight on the dark stage floor. The artists signature, CANDICE, appears in the lower right corner.

A persons hand reaches through a broken glass door panel to turn a golden doorknob. The hand wears a white shirt cuff with a dark button, and a key with a bright red heart keychain hangs from the lock. The surrounding frame is wooden, and shards of glass float in the air.

The cover of Le Nouvel Obs features an illustration of seven diverse women from French history. They are arranged in a salon setting, dressed in period clothing ranging from medieval armor to modern attire. Large white text in the center reads Lhistoire de France au féminin.

A woman in a red Renaissance-style gown sits in the foreground holding a map, looking past scenes of romance occurring behind her. Around her, several figures in historical attire and classical poses engage in embraces and lounging, rendered in a stippled, vintage style.

A group of people standing on a wooden floor, viewed from the waist down to show their diverse footwear. They wear a variety of shoes including black block heels with bandages on the ankles, cowboy-style boots, and loafers, with a small signature reading Candice in the corner.

A bearded man with glasses sits on a train reading a red book titled LA VÉRITÉ. An inset circle shows his hands holding the open book, which reveals the text Tout est faux. Outside the window, a rural landscape passes by under a cloudy sky.

A young boy looks through a public binocular viewer at mountains. Instead of a typical landscape, the viewfinder shows part of a naked human body within a blue circle. A red sun, clouds, and mountains fill the stylized background.

A person with a blank television screen for a head walks toward a car covered in green frogs as many more frogs rain from a pale blue sky. The scene is drawn in a retro illustration style against a backdrop of a white city building and a purple geometric shape.

A man and woman with a dog stand on a dirt path before a wooden signpost pointing to different paths. The man holds a map while the woman points to a sign labeled Protection des lanceurs dalerte. Other signs list political topics like Vote obligatoire and Conventions citoyennes.

A man wearing a white shirt and yellow arm floaties sits on a small wooden raft in an above-ground pool, typing on a laptop. In the background of the grassy yard, a child swings on a swing set while a woman stands near a two-story house with Christmas wreaths on the windows.

A military helicopter flies over a desert landscape, raining down paper money onto a man in a business suit below. The man stands with his back to the viewer, one hand raised toward the aircraft and the other clutching an open briefcase that catches the falling bills.

A persons hands form a shadow puppet of a snarling wolf against a light background. The hands are rendered in a stippled art style, casting a solid black shadow of an open-mouthed, sharp-toothed canine. The artists signature, CANDICE, appears in the lower left corner.

Two young children with tears on their faces gently hold each others chins in a tender moment. The illustration features muted colors and fine line work, set against a light green background framed by a border of small, colorful hand-drawn icons like flowers, hearts, and cherries.

A man in a dark suit stands with his back to the viewer, gazing at a large aquarium exhibit filled with several sharks and smaller fish. The scene is rendered in an illustrated, comic-book style with visible dots and muted colors.

A man in a dark suit sits atop a giant CMA CGM cargo ship, holding the ships mast like a horses reins as if he is riding it. The vessel sails through blue water with French flags, and the text ALLEZ LOM is painted on the hull.

Two men in suits sit at a round bistro table reading newspapers, with an ice cream sundae between them. The man on the left wears a grey suit and holds a paper titled La Provence, while the man on the right in a red suit hides behind a copy of Le Monde.

A woman with long brown hair looks at a note reading I know what you did last summer in cut-out colorful letters. Above her, a circular inset shows a close-up of feet in white socks and blue plastic jelly sandals. The artists signature Can Dice appears in the bottom left.

A wolf wearing a yellow sweater sits at a table reading a book titled Le Petit Chaperon Rouge to a young boy and girl. The children eat snacks near a basket of pastries and a milk carton featuring photos of missing children, all set against floral wallpaper.

A woman with dark hair partially submerged in a bathtub filled with blue water is surrounded by several fish. The tiled walls are light pink, and the illustration has a muted, graphic art style.

A person wearing a white shirt and blue jeans has their right arm peeled open to reveal colorful internal cables. They are shown from behind with their fingers crossed behind their back, and their fingernails are painted dark green.

A woman with short brown hair, partially covered in thick green slime, steps out of a yellow bathtub in a tiled bathroom. She wears only white underwear. In the foreground, several vintage televisions are scattered on the floor, one displaying the words THE END.

A comic strip shows a man in bed, a desk fan, and multiple tennis balls. The balls fly from the fan toward the man, who wakes up with one ball in his mouth. The background features retro orange and brown wallpaper, and the style uses heavy black ink outlines and dots.

A comic-style illustration showing Gene Simmons of KISS and a cow with similar black-and-white face paint. Panels depict a surgeon giving a thumbs up, a surgical tray with a tongue, and the musician holding a can of tongue while playing guitar. The background is solid purple.

A collage of comic-style panels shows scenes of anxiety, including a woman listening to a radio, a store shelf with only toilet paper, and a delivery drone dropping a box. A close-up shows a hand holding a copy of H.G. Wells La Guerre des Mondes beside a woman at a microphone.

A multi-panel comic shows a woman checking a text message, stepping in dog waste, and entering a cinema. Inside, she gestures toward the theater screen while others in the audience cover their noses, implying a bad smell follows her.

A comic strip shows a man caring for a small green crocodile, reading a book titled Le dragon de Komodo en appartement, before flushing the animal down a toilet. In the final panel, two construction workers find a giant crocodile in a sewer filled with trash.

A comic strip depicts a blond man sleeping in bed with a large python. In the panels, the snake appears in a glass enclosure, watches the man sleep, observes a feeding of a white mouse, and eventually begins to swallow the mans feet while he wakes up.

A person lies in a bathtub, their feet protruding from the water, while surrounded by vintage television sets displaying scenes of someone in a bathtub. A cigarette rests in an ashtray nearby next to a glass of red wine, all rendered in a flat, illustrative comic-book style.

A person with their feet propped up on a car window watches a massive, glowing mushroom cloud explode in the distance. The view from inside the vehicle shows the traveler wearing brown shoes, white socks, and blue jeans against a calm, yellowish sky.

A woman in an orange dress and white flats stands in a room where several large, brown snakes coil around her legs and the corner walls. The illustration is divided into four panels, with snakes winding between her feet and along the dark mauve floor.

A cockroach crawls across a slice of cake on a decorative plate next to a silver spoon. The cake is topped with white crumbles and a pink heart-shaped candy, resting on a textured teal background.

A portrait of Lord Byron is centered inside a red heart surrounded by a wreath of blue and white flowers. Two winged cherubs flank the heart, and the text To My Valentine is written in cursive script to the left. A pair of pink roses sits in the bottom right corner.

A cartoon of Emmanuel Macron looking through binoculars, with paper airplanes reflected in the lenses. The magazine cover reads Y A-T-IL UN PILOTE POUR LA FRANCE? against a light blue sky with clouds. Text blocks on the left list article titles about French politics.

A scientist wearing a white lab coat, mask, and safety goggles peers intensely through a glass partition at an oversized ant. The ant stands on a light surface next to a large cookie fragment, its antennae and mandibles visible in the detailed, comic-style illustration.

The cover of Le 1 Hebdo features a stylized illustration of a family standing with a ghostly, translucent figure behind a young girl. They are positioned against a white background with bold black typography, including the headline De quoi héritons-nous? and various article snippets.

A persons hand pours dark tea from a teapot shaped like a quaint cottage into a yellow mug on a wooden table. Spilled liquid pools around the mug, while a blue sofa and a floral pillow are visible in the background. The illustration features detailed stippled shading throughout.

A person stands on a wooden floor, one hand reaching out from behind a teal fabric backdrop to clasp their own ankle. They wear red fuzzy slippers decorated with floral embroidery and small white beads. The style is illustrative with noticeable stippling throughout.

A man with a beard and a woman with her hair in a red scrunchie hold vintage stereoscopic viewers to their eyes. They are drawn in a stippled comic style against a vibrant blue background, both wearing casual shirts.

A stylized illustration shows a woman blowing on a dandelion, while smaller panels depict a person covering their face and a close-up of someone pulling down their eyelid. The art uses pointillist shading, pastel colors, and a light blue background against a green bottom section.

Two people sit side-by-side with their legs crossed, feet touching near a metal pole. One person wears blue clogs with decorative pins and white socks, while the other wears green fish-shaped slip-on sandals. The illustration uses a stippled shading style.

A driver looks at a smartphone displaying a picture of a rabbit while a real white rabbit runs across the road in front of the car. The scene is drawn in a colorful, comic-book style with pink trees and a yellow sky, seen from the perspective of the steering wheel.

A woman in a yellow shirt lies on a bed talking on a blue corded phone while Freddy Krueger looms in a circular inset, also speaking into a phone. A speech bubble from the woman reads, Je vous rappelle que cette conversation est susceptible dêtre enregistrée.

A pair of legs in black stockings and high heels steps through a chaotic tabletop spread with spilled red wine, scattered plates of food, and a swan-shaped dish. A lit candle, an ashtray with a cigarette, and various platters of meat and salad clutter the surface against a blue background.

A person in a red sweater inserts a coin into a vending machine filled with snack bars labeled Respect, Success, Love, and Hope. A small digital display on the machine reads, Your product is blocked.

Two young women sit side-by-side on a chairlift, waving at the viewer. Below them, a river of orange lava flows through a rocky, volcanic landscape with a smoking mountain in the distance. The illustration uses thick black outlines and a muted, flat color palette.

A shirtless man with his head on fire sits on rocks reading a newspaper, while a woman in a bikini drinks from a bottle in the background. They are in a dry, rocky desert landscape under a clear blue sky, with a dark plume of smoke rising from the mans burning head.

People wearing colorful fish-shaped masks lounge by a swimming pool on a sunny day. A woman in a blue swimsuit stands on a diving board while another in a yellow suit sits nearby, and a man in orange trunks sits on the deck as someone dives into the pool in the background.

A persons hand reaches up to grab the ankle of someone wearing dark trousers, white socks, and chunky teal and pink loafers. They are submerged in blue water filled with floating bubbles. A small inset panel in the bottom left shows four different pairs of shoes resting on water.

Four children sit at a bright blue table eating cereal, each wearing a milk carton over their head labeled MISSING. They wear colorful clothing in a room with green-striped curtains, and the illustration style uses prominent black ink outlines and muted, textured colors.

A girl and a boy play a board game featuring colorful plastic hippos arranged around a central pile of yellow tokens. The girl wears a striped shirt and sticks her tongue out, while the boy in a yellow shirt presses down on his blue hippo piece. The illustration uses thick black outlines.

A woman with brown hair and a polka-dot shirt licks a scoop of ice cream with pink icing and sprinkles. She stands on a beach with a blue ocean and pink sky in the background, while a small square inset shows the melting ice cream resting on a yellow surface.

A person in blue jeans and a purple sweater kneels on a colorful patterned rug, sweeping dust and debris with a blue-handled broom. They wear black platform Mary Jane shoes and are depicted in a stylized comic-book art style with stippled shading.

A man and a woman fly through a lavender sky filled with fluffy clouds while sitting on a large paintbrush. The man wears a red shirt and tan pants, while the woman in a teal jacket shields her eyes from the sun. The style is a textured, graphic illustration with small birds in the distance.

Three people are stacked vertically, with a person in a blue shirt standing on the shoulders of another, who sits on the shoulders of a third. Beside them is a tall, precarious tower of books, a stool, a sculpture bust, and paint cans. The illustration uses a sketch-like style.

A diverse group of four students sits in an art classroom, surrounded by a border of illustrated creative supplies like brushes, cameras, and masks. The students wear casual clothing, including a green sweater, a striped shirt, and bright red trousers, while looking toward the viewer.

Two people in life jackets paddle a canoe across calm water in a graphic illustration. The background features blue jagged cliffs under a purple sky with puffy clouds, framed by a thin circular line surrounding the pair.

A person wearing a white dress and black heeled sandals stands on a floor covered in colorful confetti dots. A multi-colored pen hangs from the hem of the dress, while a glass bottle sits on the floor. An inset panel shows close-ups of the persons feet and the dangling pen.

The lower halves of several people dancing at a party, seen from the knees down. They wear various styles of colorful clothing, including jeans, skirts, and heels. The floor is covered with scattered plastic cups, lime wedges, and other small pieces of debris.

A person with red-painted fingernails plays a brown piano where razor blades are wedged between the keys. The drawing uses a stippled, illustrative style, and the artists name, CANDICE, is written in a small square in the bottom left corner.

A person with mint-green nail polish kneels on a purple floor, using a red dustpan and brush to clean up broken ceramic shards. A circular inset shows a close-up of a broken pottery face being repaired with glue, while the main view shows the figures blue jeans and black sandals.

Three figures stand outdoors with white sheets draped over their heads, one crouching to embrace a large black dog. An inset circle at the top shows hands wringing out a wet cloth, while a bottom circle shows the same cloth hanging on a line above a swimming pool.

A person in a suit sits in a chair wearing a complex headset with many wires connected to their head. They face a stack of television screens displaying various environmental catastrophes, including pollution, a burning forest, a polar bear on melting ice, and a yellow truck.

A digital illustration features eight young adults posed against a pale pink background under the text ICI DEMAIN festival. They wear stylized, colorful streetwear including oversized jackets, sunglasses, and hats, with all figures rendered in a graphic art style with rosy-tinted eyes.

A poster for the Ici Demain Festival shows a group of stylish young people posing outdoors in front of a modern building and a vibrant purple sunset. Below the illustration, a grid of artist names is listed, including 47meow, Aghiad, Alto, and many others.

A colorful illustration for the ICI DEMAIN festival features a collage of seven people in stylish, avant-garde attire. The figures have expressive facial makeup and varied hairstyles, arranged against a light purple background with stylized line art.

An illustration for the Boire la Tasse festival shows three people in swimwear waterskiing in a human pyramid on blue water. One person stands on the shoulders of the other two, holding a seagull above their head. The background features rocky shores under a blue sky with event text.

A person floats suspended inside a tall glass of golden beer topped with thick foam. The illustration is centered against a light blue oval and a wood-grain patterned background, with the artists name CAN DICE signed on the right side of the glass.

A person with dark hair and a red top holds a glass of beer while three other hands toast with glasses of yellow liquid. Behind them, a large window reveals a landscape of blue mountains and water under a bright sky.

A collage of cartoon dogs enjoying drinks, centered by a portrait of a dog holding a beer can with the text BAMBOCHE NEVER ENDS. Surrounding panels show a dog panting, another lapping from a beer glass, a dog pawing a can, and a dog holding a plastic cup against a mountain backdrop.

Four people socialize at a bar framed by tropical foliage, with the text LESSENTIELLE layered across the front. The person in the center has a large artichoke for a head, while the others hold bottles and chat. Strings of small lights hang above the group.

A hoopoe, a goldfinch, and a blue tit celebrate with a raised glass of beer splashing over a teal background. The stylized illustration features bold black outlines and vibrant colors, with the text LA PIAUTRE PRINTEMPS printed at the bottom.

A wine label features a stippled illustration of a bird with a wing in a yellow sling, reaching to eat a bunch of purple grapes. The text VIN DE FRANCE arches above the bird, while the bottom section includes the year 2018, alcohol content, and producer information.

A wine label illustration titled Vignes dYs 2019 features three figures with silver, fish-like heads riding white horses through a sea. They wear flowing red cloaks and dark tunics, set against a backdrop of grapevines and text detailing the wines origin and specifications.

A wine label illustration shows a person with a large pink flower for a head, wearing a blue shirt patterned with gold leaves. A bee hovers near the flower, and the person holds a wine glass. The cream-colored background features the text PISTILS 2019 and Vin de France.

A poster for the Le Grand Saut festival features a tall yellow diving tower centered against a purple gradient background. Circular insets show a persons feet on a ledge, a figure in a chair on a platform, and a building, while the text provides event details for October 23-24, 2020.

An illustration of a winged woman sitting on a ledge, printed on a CD cover and the disc itself. The artwork uses a colorful, geometric style against a pale green background, featuring floating figures and feathers. The text OISEAU RARE is printed in yellow across the cover.

A persons hands hold an album cover titled Oiseau Rare by Yoann Loustalot. The illustration features a woman with a large feathered wing sitting on a ledge, surrounded by several figures floating in mid-air amidst scattered feathers against a white background.

A woman in a teal shirt holds a circular hand mirror featuring an illustration of eyes and small animals in front of her face. A second woman, seen from behind, looks toward her while wearing a red jacket with a purple collar and her hair in a bun with a yellow scrunchie.

A circular illustration features a central target of red, yellow, and blue rings surrounded by a band of small planets. Around this, a ring of wide-open eyes is set against a textured gray background. An outer border contains eight yellow cats running clockwise within red segments.

A CD featuring a stylized moon with multiple eyes overlaps a colorful illustration of a woman in a yellow top sitting at a table with a man on a television screen. The artwork uses a dotted shading style and vibrant red, blue, and yellow tones.

A group of people gathers for an outdoor music event in a stylized illustration with neon laser beams in the sky. In the foreground, a woman in a purple outfit sings into a microphone beside a man playing a guitar. The background shows a brick wall, urban architecture, and posters.

A stylized illustration depicts diverse figures in an urban plaza at night, some wearing futuristic helmets and headphones. A sign on a brick wall reads LA CINE AUX POETES near a glowing architectural structure. In the foreground, a person in a blue robe plays a keyboard.

A musician in a yellow shirt plays a blue electric guitar while wearing a tall, silver, cone-shaped helmet. Behind him, people in futuristic gear gather near a brick wall with a sign reading La Cave aux Poètes. The scene uses a vibrant, comic-book style with green and yellow tones.

A person in a bright pink blazer and head covering sings into a microphone, while others in futuristic helmets and vibrant clothing stand in an urban street setting. The illustration uses a muted, grainy color palette with yellow plants in the foreground.

Candice Roger is a self-taught artist from Angers. After studying the art market in Bordeaux for several years, she decided to focus on practice rather than theory.
Influenced by comic books, horror films, and surrealism, she depicts often absurd situations that tend to appeal to the viewer’s imagination.
Using only a black pencil and a few touches of color, she attempts to convey a story or a simple thought. Her illustrations are tinged with black humor and cynicism, the common threads running through her work.
Candice exhibited her drawings for the first time at the Galerie En Face in Angers in 2014. Since then, she has been developing her artistic activity in Angers and regularly exhibits in Nantes and Paris, while also working as an illustrator for various magazines (Science et vie junior, Usbek & Rica, Revue XXI, etc.). She frequently collaborates with the Fishbrain screen printing workshop in Angers, where she has had her studio for the past five years.