Clara Panetier - KG Management

A colorful illustration of the iconic Cafe de Flore in Paris, featuring its signature red and green chairs under white umbrellas on a sidewalk. The building facade is draped in vibrant green foliage and red flowers, with the name Café de Flore written in elegant script and capital letters.

A hardcover book titled Paris rêvé by Clara Panetier stands upright against an orange and green background. The navy blue cover features an illustration of the Café de Flore storefront, and the bottom shows two ribbon bookmarks in bright orange and light blue.

Multiple strands of colorful, bead-like spheres drape across a dark, solid green background. The beads vary in size and color, including shades of red, blue, yellow, white, and purple, arranged in long, curved, and intersecting vertical lines.

An open book features a vibrant, stylized illustration of a grand hall with arched doorways, a glass roof, and white statues. The scene uses warm tones of orange, red, and yellow, with two thin ribbons dangling from the bottom. The book rests on a divided background of tan and bright orange.

A double-page spread of a travel guide features text descriptions on the left and four colorful square illustrations on the right. The images depict the logos and storefronts of Harrys New York Bar, Jugaad, Maxims, and Goossens Paris, each rendered in a distinct graphic art style.

A printed page displays a collage of vintage advertisements, including a round pink Boissier candy tin, a box of Caramels Boissier, and a bold orange panel labeled Hermès-Sellier. The page is angled against a solid olive-green background.

An ornate, circular stained glass ceiling dome features a radial design with concentric rings of floral and geometric patterns. The vibrant palette includes shades of yellow, green, deep purple, and blue, with repeated motifs of stylized blossoms and vines radiating from a central medallion.

An illustration of a bar interior with four tan mid-century modern stools facing a long counter. Behind the counter, tall shelves display a dense array of colorful liquor bottles under an arched, patterned ceiling with the word LVTETIA inscribed in an oval frame.

A digital illustration of a multi-story, yellow and white bathhouse building with blue doors overlooking a bright blue swimming pool. In the foreground, a row of yellow and white striped lounge chairs sits on a blue and white striped deck beside the water.

The interior of a grand exhibition hall with a large glass dome features a detailed metal staircase in the foreground. Sunlight streams through the green iron latticework of the arched ceiling, illuminating the balcony and ornate railing below.

A large, ornate clock with Roman numerals hangs on a wall of green glass panels and gold metal frames. In the foreground, a dark blue sculpture of a seated figure in draped robes faces away from the viewer, with other smaller statues visible in the dim background.

A digital painting of a long, narrow Parisian-style shopping arcade featuring a striking black-and-white checkered floor. The hall is lined with symmetrical storefronts under warm, amber-lit lamps and a high glass-paneled ceiling that reveals a soft blue sky above.

A four-panel grid showing shop interiors and products. Top left shows labeled tea jars in a conservatory; top right displays a pastry by Philippe Conticini. Bottom left features Dammann Frères tea tins on shelves; bottom right shows a pair of burgundy J.M. Weston loafers.

A stylized lounge features a curved, cream-colored sofa set against a stone archway with a central geometric emblem. The room has a black-and-white checkered floor accented by vibrant, multi-colored stools in shades of teal, red, and blue.

Multiple round tins of Petrossian caviar are arranged in a pattern, each topped with a circular label. The labels feature a stylized illustration of a red sailboat on dark blue water against a yellow sunburst, with the words CAVIAR PETROSSIAN PARIS arched around the edge.

An illustration of the Seine in Paris features a brown wooden sailboat and a teal motorboat branded with PETROSSIAN sailing past the Pont Alexandre III bridge. The background displays the golden dome of Les Invalides and the Grand Palais under a soft sky, framed by dark iron arches.

An illustration of two folding room screens in a dimly lit space. On the left, a tall, multi-paneled dark brown screen features painted white birds and stylized green trees. On the right, a smaller, three-paneled screen glows with warm golden light against a dark background.

A split-screen illustration showing a white marble statue of a couple embracing before a grand staircase on the left. On the right, a dark green statue stands in a gallery before a framed painting of a seated nude woman set against a patterned, yellow tiled floor.

A grand, high-ceilinged interior hall features a large arched glass roof and ornate teal columns. The walls are painted in warm orange and red tones with decorative gold molding, and a gallery level displays five white classical statues in arched alcoves.

A grid of four graphic designs featuring branding for local businesses. Top left: Marcello in white text over foliage. Top right: Simrane in green text over blue floral patterns. Bottom left: Cordelia Coffee Flower Shop over pink poppies. Bottom right: Le Bar des Prés over peacock feathers.

A digital illustration shows an assortment of luxury fashion items in shades of blue and green scattered across a cream background. The collection features various high-end handbags, flowing evening gowns, elegant pumps, and wide-brimmed hats arranged in a playful, floating composition.

The ornate green domes and intricate stonework of the Palais Garnier are set against a soft, pink-and-peach sunset sky. Several white seagulls fly across the upper right portion of the frame, near the gold statue atop the buildings corner.

A split-screen illustration shows a bistro exterior on the left and a long, ornate hallway on the right. The bistro features a waiter in a suit below the text VAUDEVILLE, while the right side depicts a grand, arched corridor lined with rows of dining tables and lamps.

A digital illustration of the Le Bristol hotel entrance in Paris, featuring a cream-colored stone facade with arched windows and hanging balconies. Palm fronds frame the gold-toned glass doors, which are flanked by two ornate green lanterns and red planters at the base.

An illustration of the Samaritaine buildings interior features an ornate staircase with teal metal railings and yellow accents. A vibrant glass roof with green leaf patterns arches overhead, and the walls are decorated with golden panels depicting stylized trees and peacocks.

A collage of four illustrations: gold champagne glasses labeled La Coupe dOr, white Roger Vivier heels on a purple background, a mid-century sideboard labeled Maison Sarah Lavoine, and a bar interior labeled Allover Grill. Each image is numbered 19 through 22, with Tuileries – Opéra at the bottom.

An illustration shows the facade of a grand, multi-storied classical building with cream-colored stone and dark green accents under a moody, dark sky. In the foreground, several cylindrical pedestals with vertical black and white stripes are scattered across a dark green courtyard.

A long, symmetrical indoor arcade features a detailed mosaic floor with orange, yellow, and blue geometric patterns. Brown wooden columns line the sides, leading to large arched windows, while a blue glass ceiling glows overhead. Two potted green trees stand in the foreground.

A composite image featuring four branded squares: Pascale Monvoisin text over a stone pattern, a colorful Boissier candy box, Pierre Hermé text over a blue and orange geometric pattern, and a red Hermès Sellier graphic featuring branded ribbons.

A white marble statue of a woman stands on a pedestal in the center of a circular hall beneath a large glass dome. The room features arched windows, decorative walls in shades of brown and blue, and ornate, patterned floors.

A split illustration shows the interior of an art studio with white classical sculptures mounted on walls and pedestals on the left, and the exterior of the Institut Giacometti building with blue ironwork and palm leaves on the right.

Four square panels feature illustrative logos. Top left is a red Harrys New York Bar sign, top right shows colorful floral folk art for Jugaad, bottom left is a stylized Maxims de Paris floral graphic, and bottom right depicts gold chains and gems for Goossens.

An illustration of the La Closerie des Lilas restaurant in Paris, featuring a cream-colored stone building with green awnings. A lush sidewalk terrace is filled with potted shrubs and vibrant purple wisteria, with a hand-written menu board displayed near a lamppost.

An intricate floor mosaic features repeating geometric patterns in shades of gold, brown, grey, and white. The design consists of tiled rectangular paths intersecting with large white semi-circular arches, creating a 3D effect across the surface.

An illustration of the storefront of Le Select American Bar, featuring a green facade, a neon sign, and two bistro tables with woven chairs. A chalkboard menu lists food and drink options on the wall, and oak leaves hang from the top corner of the frame.

A bright red lobster is centered on a dark blue background with its claws raised. Across the lower half of the lobster, the word Divellec is written in a stylized, metallic silver script font.

A grid of four illustrations shows: top left, sake bottles on shelves; top right, a restaurant window with the sign Le Jeu du Nil Restaurant Chez GEORGES; bottom left, a bar back filled with liquor bottles and the word POPOLARE; bottom right, a Cartier watch on a patterned background.

A high-angle illustration of a clay tennis court surrounded by a packed stadium. Colorful, speckled-dot spectators fill the tiered seating under a clear blue sky, with a row of seven international flags flying above the stands.

An illustration of the Fondation Louis Vuitton, a modern building with complex, overlapping glass and white panel sails. Lush green trees frame the structure, and colorful flower beds line the base of the building against a bright blue sky.

A collage of four square graphic designs labeled 21 through 24. Panel 21 displays the gold text PRUNIER over teal geometric patterns. Panel 22 features pink flowers and the word bloom. Panel 23 shows PAT RICK HO GER on blue stripes. Panel 24 shows a vase and MAISON MAIZON.

The art deco facade of the Louxor Cinema features intricate Egyptian-style motifs, including stylized lotus columns, winged solar disks, and geometric patterns. The building is rendered in a soft color palette of beige, blue, and burgundy, with the name LOUXOR centered above the entrance.

Four panels feature luxury brands: Mokuba shows stylized ribbons and a rocking horse; Maison Fabre displays a leopard-print glove; Pierre Hardy depicts two loafers on a geometric floor; and Le Tout-Paris features a white horse silhouette on a marble background.

An illustration shows a green glass greenhouse framed by palm fronds and hanging leaves. In the foreground, two small bistro tables with matching folding chairs sit on a light patio, with white flowering bushes tucked into the lower left corner.

A collage of four illustrations featuring scenes from Paris. Images include a flowered archway labeled le Moulin de la Galette, a Fragonard branded floral pattern, the pink michou cabaret front, and the yellow-trimmed Herboristerie de la Place Clichy storefront with the number 87.

A split-screen illustration shows a courtyard garden with a patterned marble fountain surrounded by lush trees and mosaic tile work on the left. The right side features a close-up of a modern building facade covered in a grid of square, metallic geometric screens against a blue sky.

A composite image displays four illustrations labeled 17 through 20. Panel 17 shows lanterns and foliage with Bonjour VietNam; panel 18 features labeled spice jars; panel 19 depicts a market basket of vegetables; and panel 20 shows the Shakespeare and Company bookstore exterior.

A digital illustration of the exterior of Bouillon Chartier in Paris. The restaurant features an ornate wood-paneled facade with golden, glowing windows, strings of lights overhead, and red velvet ropes across the entrance. A chalkboard menu stands to the left of the doors.

A stone fountain sprays water in the center of a park in front of a long, symmetric palace with a blue mansard roof. The scene is set at sunset, with rows of manicured trees lining a gold-fenced courtyard behind the fountain.

A four-panel illustration shows interior scenes and logos: a sushi bar labeled Matsuri, a cozy restaurant corner, a Birdy burger shop sign above a burger, and a repeating pattern of Caviar Petrossian Paris tins. The bottom of the page includes the text Triangle dor – Trocadéro – Passy and the number 89.

A digital illustration of the Centre Pompidou with its signature exterior structural steel frame, glass walls, and a prominent red-and-white transparent escalator tube zigzagging across the facade. A crowd of tiny, colorful figures gathers on the plaza in front of the building.

The exterior of a cafe called les philosophes features a deep red awning, dark wood paneled walls, and a posted menu. On the sidewalk, several round bistro tables are surrounded by woven rattan chairs, next to a tall, teal patio heater.

The Cirque dHiver building is a grand, neoclassical structure with tan stone walls and a teal-trimmed roof. Two horse-and-rider statues flank the entrance, which is decorated with a banner of elephants and the text Cirque dHiver under a row of intricate, patterned windows.

A large, curved glass window with colorful stained-glass accents is framed by lush, dark green hanging vines. The window features decorative geometric patterns and a central vase holding fruit, all viewed through a dense foreground of leaves against a pale blue sky.

An Art Nouveau-style Paris Metro sign for Père Lachaise station stands centered, displaying a colorful transit map under a blue sky. The ornate iron frame is surrounded by green vines and white flowers, with the word METROPOLITAIN featured prominently in an arched header above.

A grid of four illustrations shows the facade of Le Grand Colbert, a pattern of the word Coco with an orange, Chanel-style gold chains and pumps, and shelves with jars and teapots labeled Verlet. The page is labeled Tuileries – Opéra at the bottom with the number 15.

An interior view of a restaurant with two red tables, maroon upholstered chairs, and a mosaic tile floor. The blue walls are decorated with a pattern of small yellow flowers, a large blank orange frame, and a poster that says Paul Bert under a small orange flower icon.

A digital illustration of a long, sunlit indoor shopping arcade with a high vaulted glass ceiling. The hallway features arched storefronts with warm-toned windows and ornate metal filigree, leading to a pair of wooden doors at the end flanked by two small potted orange trees.

A blue tube of Officine Universelle Buly 1803 hand and foot cream is centered against a background of teal and white diamond-shaped tiles. The tube features a white graphic of a hand, gold text, and a decorative red emblem at the bottom.

A four-panel graphic illustration. Top left: colorful mochi on a brown background. Top right: a hand holding an incense stick over a mug labeled Astier de Villatte. Bottom left: a soufflé titled Le Récamier. Bottom right: a tailored suit jacket over a plaid background labeled Husbands.

A series of tall, cylindrical totems stand against a textured pink background. The pillars feature stacked geometric patterns in earthy tones of brown, yellow, deep purple, and white, including chevron stripes, circles, and oval shapes.

The word PRUNIER is written in tan block letters across a background of overlapping circles and abstract geometric patterns. The design features a dark teal color palette with accents of lighter blue, pink, and white lines.

An illustration of a Parisian shopping arcade with a glass-paneled vaulted ceiling and a geometric tan-and-white tiled floor. Storefronts with dark wooden frames line both sides of the walkway, featuring hanging signs for Théâtre des Bouffes Parisiens and Lavrut, plus racks of stationery.

An artists studio workspace features a desk cluttered with design supplies and chairs in the foreground. The wall behind is covered with framed art prints, color swatches, and a dressmakers mannequin. A white box labeled Yves Saint Laurent sits on the right side of the desk.

A decorative vase with blue floral patterns sits in front of two illustrated plates against a dark brown background. The plates feature a bird, leaves, and abstract shapes in vibrant colors. The text MAISON MAIZON is centered at the top in a modern, white sans-serif font.

A vaulted ceiling is painted deep blue with gold stars and intersected by ornate, patterned ribs. In the foreground, a prominent column features intricate vertical designs and a detailed capital, set against a dark red backdrop filled with smaller, stylized floral patterns.

A digital illustration of the Parisian cafe La Closerie des Lilas, featuring an ornate stone building behind a lush terrace filled with potted greenery and cascading purple wisteria. Red flowers dot the bushes, and an oval sign with the cafes name hangs above the glass awning.

A patterned design features the word bloom in thin pink letters across a central dark blue strip. The background is divided into diagonal sections of olive green with floral vines, pale blue with pink buds, and a vibrant base with stylized pink and red foliage.

A teal teacup and saucer decorated with white floral patterns sit in the foreground, with the script text Au Bain Marie overlaid in white. The background features a large, dark blue patterned plate with stylized yellow and white flowers.

The text ASTIER de VILLATTE appears above an illustration of a hanging lamp, a white mug featuring a cameo-style handle, and a gloved hand holding a smoking incense stick. The background is dark green, and the stylized lamp has a scalloped shade with an M inside the bulb.

A collection of La Maison du Chocolat bars and assorted chocolates are arranged against a deep red background. The white chocolate packaging features intricate brown line drawings of Parisian architecture and the Eiffel Tower. Reflective surfaces mirror the chocolates and boxes below.

A box of assorted chocolates sits open, next to its lid which features a detailed line drawing of a Parisian building and the Eiffel Tower. The dark chocolates include rectangular pieces embossed with hearts and the word PARIS, alongside smooth and textured squares.

A stylized fashion illustration shows a person with dark, voluminous hair wearing a white collared jacket and a long, sweeping black skirt against a navy background. The persons facial features are obscured, with only a bright red lip visible. The word DIOR is printed in white at the bottom.

An illustration of a strapless ballgown against a dark teal background, covered in a dense pattern of small, multicolored floral-like shapes. The word DIOR is printed in white serif capital letters at the bottom center.

A pattern of circular medallions with teal backgrounds and gold-toned eight-pointed star designs cascades down from the top left corner against a white background. Each medallion is bordered by a beaded gold trim, creating a vibrant, decorative graphic effect.

A digital pattern of stylized teal and blue leaves and flowers on a white background. The botanical shapes overlap in varied opacities, creating a layered, artistic aesthetic.

An illustration of the Le Bristol Paris hotel entrance featuring a cream-colored stone facade with arched windows, green planters, and gold-trimmed doors. Framed by tropical palm fronds, the hotel name appears on the golden glass doors and the dark floor mat.

An elegant hotel hallway with a checkered marble floor, teal upholstered benches, and tall potted orange trees. Large framed art pieces hang on the light-colored walls, illuminated by classic lamps and a central hanging lantern leading toward a dark wooden door.

An illustration of a luxurious hallway features dark teal walls, a black and white patterned floor, and three potted orange trees. Two long, textured teal benches sit beneath matching table lamps against large, ornate gold-framed mirrors, leading toward glass-paneled double doors.

An Art Nouveau-style Paris Metro entrance features a green, shell-shaped metal canopy over stairs leading underground. The structure is decorated with orange, yellow, and white floral motifs, and a central sign reads METROPOLITAIN in gold lettering.

The facade of the Deyrolle shop in Paris is filled with an array of wild animals, including a giraffe, a zebra, a cheetah, a polar bear, and a variety of colorful birds and butterflies. A red fox and a tiger rest on the buildings roof, all set against a soft, sunlit urban backdrop.

A festive holiday scene features a fireplace with a cozy fire and a painting of a snowy building above it. To the right is a decorated Christmas tree filled with Palomas ornaments, while the fireplace mantel holds boxes of treats. Gift bags and two nutcracker figures sit on the floor.

A stylized illustration features the Lamartine bookstore exterior with the text 1926 100 2026 above. A peacock, an ostrich in a ruff, a cat, a deer, a dog, and a roller-skating macaw gather on the cobblestone street. Vibrant flowers, a pink bird, and blue shopping bags decorate the scene.

A digital illustration of a Patek Philippe Nautilus watch centered against a textured blue background. The stainless steel watch features a deep blue horizontal-lined dial with luminous hour markers, silver hands, and a date window at the three oclock position.

A digital illustration of a Patek Philippe wristwatch centered on a textured, dark blue background. The gold-rimmed watch features a cream-colored face with dark gold numbers, thin hands, and a dark navy blue leather strap.

A Dior wristwatch with an irregular, gold-rimmed octagonal face in dark blue and gold hands. The watch features a decorative, tiered bracelet made of green, white, and purple rectangular segments accented with gold circular details against a white background.

Four pale yellow chrysanthemum flowers with thin magenta-tipped petals are arranged against a deep teal background. Each bloom sits atop a slender green stem with a few jagged, dark green leaves visible at the base.

A watercolor-style illustration of yellow roses and buds with green foliage arranged on the right side against a dark teal background. The flowers feature soft, layered petals and delicate stamens, set against a solid, empty dark space on the left.

A bouquet of stylized tulips against a dark teal background. The flowers feature fringed and smooth petals in shades of cream, bright red, and soft pink, attached to slender green stems.

A digital watercolor illustration of several vibrant poppies in shades of red, orange, and yellow. Each flower has delicate, translucent petals and a textured green and yellow center, set against a soft, pale cream background.

A cluster of pink lilies is set against a pale pink background. The flowers feature soft, layered petals in shades of rose and light pink, with prominent dark stamens and deep green leaves tucked between the blooms.

A dark navy background is filled with a dense floral pattern of stylized lilies, carnations, and bell-shaped blossoms. The flowers are illustrated in vibrant shades of cream, pink, purple, and orange, featuring both solid colors and delicate white line-art outlines.

Clara Panetier is a French illustrator living in Paris. Her training at Studio Bercot, a Parisian fashion school, shaped her perspective and stimulated her creativity, fostering a deep love for designing patterns and developing colour palettes.
After completing her studies, she spent around ten years working on the design of trend books and the development of colour palettes.
A colourist at heart, she has developed a visual world fuelled by a passion for lines, geometry, colour and the natural world. Her eye for nuance and detail lies at the heart of her work.
At the crossroads of fashion and illustration, Clara Panetier creates a graphic world where lines, geometry, colour and the natural world interact harmoniously. Her work, which is both sensitive and structured, lends itself to a variety of collaborations, from publishing to brands, whilst retaining a recognisable signature style.