Martin Cole - KG Management

A composition featuring a black-and-white photograph of curved lines layered over a pencil sketch. Beside it are three distinct material swatches: a piece of smooth, dark burgundy leather and two squares of textured, rust-red and bright red suede.

Three books are stacked on a blue background. The top book is white with black lettering reading Stop Me If Youve Heard This One by Kristen Arnett. The middle book is a plain, open book, and the bottom book is titled Of Flowers that Bloomed at Night with The Log Books below.

A crescent-shaped black shoulder bag is centered against a cream background. The textured leather bag features a thin adjustable strap, a vertical slit detail, and a silver-toned metal hook clasp hanging from a decorative tab on the front.

A beige rectangular sign reads TRIBECA AND CHANEL PRESENT in bold, dark gray sans-serif text. The name TRIBECA features a vertical line between the I and B.

A mood board features fabric swatches and sketches. Rectangular leather patches in textured orange, deep red, and cobalt blue are interspersed with two black-and-white sketches of tiered, sleeveless garments against a light background.

A black-and-white photograph shows a handbag with long, tiered fringe, layered against a textured off-white background. The image is accented by overlapping geometric swatches of bright green leather in the top left and mustard yellow leather at the bottom.

A black-and-white photograph of a ruffled skirt in motion is centered on a light background. It is surrounded by overlapping rectangular swatches of textured leather in dark blue, bright orange, olive green, and forest green.

Collage of three framed photographs on a pink background. The top shows a wooden arch on green paper, the middle features a silver bowl on brown, and the bottom displays a die on blue. Each photo is part of a fanned stack, and a green painted spot sits on the right.

A black and white photograph of a daisy, vertically sliced and misaligned to create a stuttered, fragmented effect. The flowers petals and textured center are shifted across the strips, set against a dark, monochromatic background.

A black, crescent-shaped leather shoulder bag hangs against a plain white background. The bag features a long adjustable strap, a vertical side slit, and a small clasp attached to the front. The image is framed like a physical photograph with a handwritten number five in the corner.

A rectangular bottle of Burberry perfume with pale pink liquid sits in the center of a grid. The surrounding squares feature images of blackberries, strawberries, light purple flowers, and amber-colored resin against a cream background.

A square Burberry Goddess perfume bottle sits centered against a background of overlapping yellow circles. The bottle is gold-toned with a circular emblem in the center featuring the text BURBERRY and GODDESS embossed on its surface.

A black and white photograph of a daisy-like flower, vertically sliced into several strips and reassembled with slight misalignments. The flower sits against a dark background, and the displacement creates a staggered, jittery effect across its petals and central disk.

A collage shows three sets of framed photos on a peach background: a wooden arch on green, a metal bowl on brown, and a die on light blue. Each set is fanned out like playing cards, with a single green paint smudge visible on the right side.

An Hermès silk scarf features a circular design of eight carriage wheels radiating from the center. Between the spokes are black silhouettes of horse-drawn carriages in motion against a cream background. The center contains the text, PARIS qui ROULE par HERMÈS PARIS.

A square photograph of a wilting, pale tulip is layered over a background of torn black and white paper strips. The flowers dark stamen is stark against its drooping, sepia-toned petals, contrasting with the geometric, high-contrast collage beneath it.

A silk necktie features a diagonal patchwork design of blue and white patterns, including H-shaped motifs and geometric grids. The tie is centered against a background of overlapping, cream-colored ribbons.

Three books are stacked on a blue background. The top spine reads Stop Me If Youve Heard This One by Kristen Arnett. The middle book title is Of Flowers that Bloomed at Night by Jerico Silvers, and the bottom orange spine reads The Log Books by M. Walker and M. Zmith.

A stylized white daisy with a yellow center is split across three vertical panels against a cream background. The panels feature a deep red backdrop behind the petals, with the flower appearing to extend seamlessly from one section to the next.

A collage of black-and-white fashion photographs displays models wearing various fur and textured garments, including oversized coats, ruffled dresses, and scarves. The images are arranged against a backdrop of muted blue and red panels.

A collage of five fashion photographs featuring women wearing various faux fur coats and jackets. The subjects are captured in moody poses against diverse backgrounds, including pale tan, deep red, and soft blue, showcasing different silhouettes and textures of winter outerwear.

A bottle of Narciso Rodriguez all of me perfume sits centered against a soft, pink, abstract brushstroke background. The glass bottle has a pale pink liquid, clear faceted edges, and a metallic rose-gold cap.

A cream-colored Hermès silk scarf features a radial design of black-and-white silhouettes depicting horse-drawn carriages within concentric circles. Eight elongated carriage wheels extend from the center toward the edges, framing the text PARIS qui ROULE par HERMÈS PARIS.

A rectangular bottle of Narciso Rodriguez for him bleu noir eau de parfum sits centered on layered paper. The deep navy glass bottle features a black cap and white text. It rests atop a light blue sheet and a decorative piece with blue and white abstract tie-dye patterns.

A black-and-white portrait of a young woman with dark hair framing her face is layered between textured panels of blue, gold, and red. The photograph is centered against a background of white and colored material, creating a geometric collage effect.

The text Studio Mimi is centered in bold, black, sans-serif font against a textured, off-white background.

A black-and-white close-up of a flower petal is collaged onto a rough, cream-colored circular cutout. This composition is centered on a vibrant, textured red background.

A plain sheet of light beige paper with a subtle, textured appearance. Small, dark flecks are scattered randomly across the surface, giving it a natural, recycled finish.

A sepia-toned close-up of a wilted poppy flower is centered on a light gray background layered with abstract shapes in red, orange, and green. The textured petals droop downward, revealing the delicate, intricate details of the flowers center.

A paper-cutout style graphic features concentric, layered circles resembling an eye. The layers transition in color from green to blue, yellow, salmon, purple, and black, set against a solid olive-green background.

The words Studio Mimi appear in a bold, black sans-serif font centered on a textured, light beige background.

A dark brown suede tote bag by A.P.C. is shown in a fragmented, collage-style composition against a bright blue background. The bag features slim leather handles, gold-toned hardware, and a small matching pouch attached by a strap. The image is sliced horizontally into stacked segments.

A black-and-white square photograph of a daisy is layered with three curved pieces of glossy, primary-colored plastic. A dark red arc sits at the top, a jagged green shape is on the left, and a bright blue segment is positioned at the bottom against a plain light background.

A large white daisy with a yellow center is divided into vertical sections by solid red rectangular panels. The entire composition is set against a pale cream background.

A diamond engagement ring with a large emerald-cut center stone and baguette-cut side stones is partially revealed. The ring is set against a dark gray background, while a textured, pale pink geometric overlay covers the bottom and left sides of the image.

A narrow, vertical print features a close-up, sepia-toned photograph of a tulip interior. It is layered over a textured, rust-colored rectangular brushstroke and a loose, hand-drawn outline, all set against a cream-colored paper background with a thin vertical wooden stick on the left.

A shirtless young man with short, dark hair stands in a boxing stance with his fists raised. The image has a textured, artistic quality with a monochromatic blue and cream color palette and painterly brushstroke effects overlaying the subject.

A black-and-white portrait of a person with a short haircut, overlaid with bright, colorful paint splatters and a blue rectangular frame. The person wears a silver chain necklace, hoop earrings, and a nose ring, with bold red paint coloring their lips.

A high-contrast, black-and-white photograph of a single lily blossom is layered over textured sheets of gray and deep blue paper. The lily is centered, showing delicate petals and a slender stem against a light background.

A black-and-white portrait of a person is divided horizontally into three panels. The top shows their dark hair, the middle focuses on their intense gaze, and the bottom reveals the back of their head and neck with hair pulled back.

A close-up of a persons face shown in two black-and-white, grainy photographs overlapping at the top of the frame. Below the photos is a large, textured sheet of dark orange paper with visible creases and light wear along the left edge.

Two black-and-white photos of a person with short hair pulling their hair up into a bun. The top photo shows them looking to the side with a blue scribble in the corner, while the bottom photo shows them from the chest up with their eyes closed.

A black-and-white photograph shows a person from behind, arms raised with hands clasped behind their head to reveal a defined, muscular back. The print is framed against a background of layered, textured paper in shades of cream, dark blue, and metallic rust.

A collage of nine square panels arranged in a grid, featuring fragmented close-ups of light-colored footwear on dark surfaces. The imagery is rendered in a muted, sepia-toned palette, with one empty square in the middle left position.

A solid background of cream-colored paper texture. The surface features subtle, darker flecks and fibers scattered throughout the light beige material.

A young person with long dark hair wears a dark t-shirt, looking downward while holding their collar. The image is split horizontally, with a blurred, distorted reflection of the persons head occupying the bottom half against a plain background.

A shirtless man with long, dark hair tied back sits on a stool, leaning backward with his arms supporting him. The black-and-white portrait is partially obscured by a textured blue overlay, set against a background of layered, multicolored paper scraps.

A vibrant purple and white calla lily is shown in three horizontal strips against a plain, off-white background. The sections are slightly misaligned, creating a fragmented, layered effect of the flowers curved petal and central yellow spadix.

A black-and-white photograph of a single poppy flower is layered over a collage of textured pink and dark red paper. The poppy, seen from the side with its long, fuzzy stem, sits at the center of a white-bordered frame.

A black-and-white daisy is partially obscured by shards of clear, broken glass. The petals of the flower fan out beneath the reflective fragments, which create distorted and overlapping views of the plant against a plain, light background.

A black-and-white portrait of a person with long, straight hair falling over their closed eyes. The square photograph is layered against a background of overlapping black and off-white paper shapes.

A black-and-white composite portrait shows a young woman with long, straight hair and a single dangling earring, pulling a dark jacket over a light pinstriped shirt. The lower frame shows her wearing a plain white t-shirt tucked into dark-wash denim jeans.

A black and white photograph of a mans eyes is centered on a collage of paper shapes. Surrounding the photo are a vertical yellow rectangle, a blue triangle, a horizontal green strip, and a thin red edge against a light gray background.

A collage of mens denim jeans in various blue and grey washes, segmented into horizontal and vertical panels. The image displays different angles and fabric textures, featuring a combination of light-wash blue and dark charcoal denim.

A black-and-white photograph shows two bare feet crossed against each other, set against a cream-colored background framed by thick, textured strokes of dark red paint. The composition has a vintage, collage-like appearance.

A black-and-white portrait of a man with short, dark hair wearing a white collared shirt. The image is composed of offset, rectangular segments that shift his features and posture, creating a fragmented, collage-like effect.

A paper-cutout style graphic features concentric, oval-shaped layers in shades of blue, yellow, orange, and purple against a green background. The layers frame a central dark grey, eye-like shape with a bright orange accent on its right side, creating a sense of depth and shadow.

A woman with long brown hair wears a fuzzy blue cardigan and a dark maroon skirt while posing in a grassy field. She holds up a pair of black flats toward the camera against a background of green hills and a stone wall.

A young person with shoulder-length dark hair sits barefoot on a teal wooden bench, holding up a blue sweater in front of them. They wear a white shirt and cream trousers, with a pair of tan loafers on the tiled floor. Behind them is a bright green wall and a light-colored coat.

A woman with a dark bob haircut poses in a black-and-white photo, wearing an oversized denim jacket and wide-leg jeans. The vertical portrait is layered over a white background with two textured, burnt-orange fabric shapes placed behind it.

A black-and-white collage features a persons face and upper body segmented into five vertical strips against a white background. The subject wears a collared shirt under a puffer jacket, with slices of their face, eyes, and shoulders aligned to create a fragmented portrait.

A square black-and-white photograph shows a person wearing a white shirt tucked into denim jeans. This image is layered over two pieces of torn, mustard-yellow paper against a pale, off-white background.

A black-and-white portrait of a man wearing sunglasses is sliced into vertical paper strips. The model wears a collared shirt, trousers, and a vest, layered against a background with faint, overlapping block letters.

Bright orange poppy flowers appear sliced into vertical strips against a pale, creamy background. The overlapping segments reveal textured, translucent petals and dark, radiating centers, creating a layered, collage-like effect.

A rectangular glass perfume bottle with black liquid and a dark cap sits centered on a pale pink, textured paper background with soft, light-pink petal-like graphics. The bottle is labeled in small, pink sans-serif text reading narciso rodriguez for her.

A collage in black and white shows a person lying on their side at the bottom, looking toward a vertical, torn paper strip. The strip features a grainy, abstract curved line segment set against a stark white background.

A square glass perfume bottle labeled NARCISO in black letters sits centered against a soft, pale pink background. Behind the bottle, two overlapping rectangular layers of paper feature delicate, large-petaled floral illustrations in varying shades of pastel pink.

A woman with dark wavy hair and bold red lipstick is shown in a portrait that is sliced into five vertical, slightly offset strips. The background is white, and the word Cartier in cursive script is visible across the segments.

A bottle of Narciso Rodriguez all of me perfume sits centered against a soft, pink, watercolor-like abstract background. The glass bottle has a faceted, geometric shape, a metallic rose-gold cap, and contains light pink liquid.

A rectangular bottle of Narciso Rodriguez for him bleu noir eau de parfum sits centered on layered paper. The dark navy glass bottle has a black cap and white text. It rests atop a light blue sheet and a piece of paper with a blue and white tie-dye-like pattern and purple cord.

A hand wearing gold spiked bracelets and rings with dark nail polish, displayed behind a torn paper overlay. The jewelry features small, dark circular accents set within the gold spikes.

A grid of interwoven fabric strips in varying shades of blue, ranging from pale sky blue to deep navy. The strips are decorated with repeating geometric patterns, including small white anchors, dashes, and H-shaped motifs, creating an open, lattice-like design on a white background.

A close-up shot of a human eye reflected in a shard of broken glass. The black and white image is set against a plain white background, with a second, empty piece of glass visible on the right.

An orange and silver H-shaped enamel bracelet floats centered against a grid background of colorful, textured squares. The silver metal band features a visible HERMÈS engraving on the inner clasp, set against a backdrop of cream-colored tiles interspersed with pink, blue, and green.

A person stands on a sandy beach with arms outstretched against a blue sky. They wear a long, patterned dress with one yellow sleeve and one black sleeve. Swirling, translucent brushstroke overlays create a circular, ethereal frame around the figure.

A collage of square images displays various pleated fabrics in vibrant colors including red, orange, black, white, blue, and green. The close-up shots emphasize the rippled textures and fluid, sculptural folds of the material against a plain white background.

A man stands centered against a street background, framed by vibrant orange brushstrokes that radiate outward. He wears a plaid button-down shirt and matching shorts, white socks, and sneakers. The photograph is rendered in black and white, contrasting sharply with the orange overlay.

A montage of photos shows a smiling woman with a tooth gap wearing bright red lipstick and a sheer white sweater. She poses against a backdrop of green foliage and a clear blue sky, with her hands frequently touching her face or hair in various close-up shots.

A black-and-white photo collage features a close-up of a young man with blonde hair, segmented into eight separate squares. The images highlight portions of his face, shoulders, and bare chest, creating a fragmented, grainy portrait of his torso and features.

A square black-and-white photograph shows a close-up of a persons eyes and nose, centered over a large, triangular piece of red textured material against a cream background. The person looks toward the right side of the frame with loose hair strands partially covering their face.

A person with short, blonde, slicked-back hair sits on a stool against a white background with their arms crossed. They wear an oversized black blazer over a long white collared shirt, looking directly at the camera with a neutral expression.

A black-and-white photograph of a stern human eye is centered against a cream background. Behind the photo are two overlapping geometric shapes: a large, textured navy blue curved form above and a solid rectangular brick-red form below.

A collage features two black-and-white close-up portraits of a person with a gap-toothed smile, stacked vertically. They are framed by a dark purple paper rectangle at the top and a textured black trapezoid at the bottom, all set against a plain off-white background.

A light gray, solid-colored background with a subtle, fine-grained texture.

A collage of five black-and-white photographs showing hands adjusting denim waistbands on bare midriffs, layered over textured fabric swatches in shades of orange, magenta, olive green, mustard yellow, and blue.

A collage features a black high-heeled shoe with a red block heel resting against blue geometric shapes. These elements are set against a plain, off-white textured background accented by a vertical strip of dark gray paper and a small horizontal brown rectangle.

A black-and-white portrait of a person with short hair wearing a white tank top is centered within a collage of overlapping, deep blue textured paper pieces. The photograph is positioned on a light background, partially obscured by the jagged edges of the blue paper.

A young person with dark, wavy hair wears a maroon sweatshirt and black trousers while standing on a sunny street. Bold, circular strokes of red and black paint are layered over the image, partially obscuring the palm trees and clear blue sky in the background.

Two black-and-white portraits of a woman with wavy hair are layered over two overlapping, jagged pieces of dark green material. The portraits show the woman from the chest up, one looking down and the other looking forward, set against a plain, light beige background.

A person with short hair, wearing a white tank top and blue jeans, stands on an asphalt path. They are seen from behind, surrounded by a surreal, vibrant watercolor-style wash of magenta, teal, and soft orange hues that overlay the scene.

A black-and-white photograph of a mouth sticking out its tongue is centered against a background of overlapping purple suede and leather patches. The close-up shot of the lips is bordered by a white paper frame, creating a stark contrast against the deep plum-colored textures.

A black-and-white cutout of a woman with wavy hair looking forward, wearing a cropped cable-knit sweater and dark high-waisted shorts. She is positioned on the left against a plain white background.

A person with short, light-colored hair kneels on a white surface, wearing a white tank top and dark pants with visible buttons. They have one hand raised to their head and the other resting on the surface, adorned with several rings and a prominent tattoo on their forearm.

A man stands in an olive trench coat worn over a cable-knit tennis sweater, white shorts, and a bright green fanny pack. He has a slender build and short dark hair, set against a background featuring an abstract green graphic and partial handwritten script.

A plain, off-white background with a subtle, uniform paper-like texture.

A black-and-white Vogue Greece digital cover features a portrait of Theo James, rendered as if pieced together from several torn paper segments. The man wears a collared shirt, tie, and jacket, with his hand covering his eyes, while the text Leading Gentleman appears at the bottom.

A woman with short, wavy brown hair poses against a hazy, outdoor backdrop. She wears a beige knit crop top with black CHA lettering and a matching mini skirt, while a second partial image of her appears behind, wearing a tan blazer.

A blurry, sepia-toned silhouette of a flower or plant rises against a pale, solid background. The soft edges and monochromatic brown hue create an ethereal, out-of-focus effect.

A person with long black hair wearing a long white fringed coat and black boots strikes a dynamic pose against a collage background featuring the bold, black-and-white text MOSCHINO. Geometric red and white paper shapes create a fragmented, artistic aesthetic behind the subject.

A person with shoulder-length dark hair and a leather jacket walks across a street in this black-and-white photo layered with bold, textured strokes of green, brown, and red paint. The composition has a gritty, distressed aesthetic with visible film grain.

A pair of glossy black combat boots sits on a white background, with the left boot featuring black laces and the right featuring white laces that wrap around the ankle. Behind the boots, paper cutouts spell MOSCHINO in bold black letters, accented by a red starburst shape.

A young person with a cigarette in their mouth leans against a large concrete pillar, wearing a beanie, a white t-shirt, and dark jeans. The black-and-white image features an industrial background and a visible vertical scratch across the left side of the frame.

A young man in a plaid shirt and shorts stands centered in a street, surrounded by a vibrant, orange-painted sunburst effect. The black-and-white background features a building with a LOTTO sign above him.

A young Black man with cornrows wears a white shirt and black overalls in this two-part black and white portrait. In both images, he holds his hand up near his face, looking toward the camera with a calm expression.

A black-and-white portrait of a person with short dark hair, shown through a series of horizontal strips that segment their face and torso. They have a serious expression, arms crossed, and are wearing a collared shirt under a jacket against a plain background.

A person with dark skin is seen from the back, pulling a white ribbed tank top over their head. The image is composed of overlapping photographic prints, and a label on the garment features the text OMEAR in black letters.

A person with slicked-back hair looks downward in this black-and-white portrait. They wear a structured, dark jacket with a grid-like pattern. The image is presented as a collage with torn white paper edges layered over the subject.

A collage of black-and-white fashion photographs features a central portrait of a person with freckles pulling a black garment over their head. Surrounding images show close-ups of arms, legs in dark tights, and a person in a white tank top, all captured in a minimalist, high-contrast style.

A young person with curly dark hair wears a black zip-up jacket against a brick wall. The center of their face is missing, replaced by a jagged, torn-paper cutout effect that obscures their eyes, nose, and mouth. The entire image has a rough, white-bordered torn-edge frame.

A shirtless young man with dark, short hair stands in a boxing stance with his fists raised. The image has a textured, artistic quality with a muted blue and cream color palette and painterly brushstroke effects overlaying his figure.

A person with braided hair and sunglasses walks outdoors, wearing a hooded jacket and cropped trousers with white sneakers. The image is in black and white with vibrant orange and white paint-like splatters overlaid, and the text KANUK + O appears in the center.

A person wearing a white beanie and a layered, dark-quilted hooded jacket walks across a crosswalk. Overlaid on the image is the orange text KANUK + O and white, chalk-like scribble marks.

A black-and-white portrait of a person with a short, layered haircut and a nose ring, framed by abstract, colorful paint strokes. Bright splotches of red, yellow, green, and blue overlay the persons face and the blue border surrounding them.

A black-and-white portrait of a person is divided horizontally into three panels. The top section shows dark hair with bangs, the middle displays intense eyes and a bridge of a nose, and the bottom shows the persons chin and hair tied back.

A collage features a central black-and-white photo of a shirtless man with dark hair looking downward, surrounded by smaller, cropped portraits of the same mans face. Interspersed among the monochrome photos are solid squares of orange, beige, and dark gray.

A young person with long dark hair and a dark shirt sits at a table, hands near their collar. The image is split horizontally, with a blurred, distorted reflection of the persons head occupying the bottom half of the frame. The scene is captured in a high-contrast black and white style.

Two black-and-white snapshots show a person from the side, pulling their short, dark hair up into a bun. The top image features a blue scribbled mark in the upper-left corner against a plain background.

Two black-and-white photographs of a single Western-style boot are arranged vertically on a split-tone background. The top photo shows the boot resting on wooden blocks next to a stand, while the bottom photo provides a close-up of the same leather boot against a plain backdrop.

A grid of nine square images shows close-up, beige-toned fragments of furniture, including chair legs and upholstered edges. The images are arranged with a gap in the center left, creating a jigsaw-like collage against a cream-colored background.

A black leather loafer with a chunky lug sole rests on top of two vertical, cylindrical wooden supports. The image is presented as a framed photograph against a textured, light brown paper background.

A collage of four black-and-white photos shows a woman posing in a denim jacket and jeans. She wears her dark hair down, styled in various poses while wearing a white shirt and casual footwear against a neutral studio background. One smaller image features a bright yellow backdrop.

A woman stands against a backdrop of scattered, colorful square swatches, posing with both hands behind her head. She wears a cream-colored sweatshirt and high-waisted, wide-leg charcoal jeans. The background is a pale, neutral tone with a light grain texture.

A black-and-white portrait of a man with short, dark hair wearing a buttoned white shirt. The image is composed of overlapping, fragmented panels that slightly offset his face and body, creating a stylized, layered effect.

A collage of denim jeans is displayed against a white background, featuring various shades of blue and gray. The image is fragmented into horizontal strips, showcasing close-ups of waistlines, legs, and hems in mismatched patterns and colors.

A grid of translucent squares creates a mosaic of fragmented furniture images, including chair parts and curved structures. The muted color palette features soft pinks, blues, greens, and grays, with some squares appearing layered to create depth over a cream background.

A grid of colored paper squares partially obscures a dark teapot, creating a fragmented mosaic effect. The teapots handle and spout peek through individual squares of various muted tones, including tan, pink, blue, and yellow, set against a light brown background.

A collage of urban construction images features a building under scaffolding, a brick building facade, and a tower crane. These monochrome photos are layered over vibrant, solid-colored geometric shapes in shades of blue, red, orange, and green.

A collage of layered textures features a pink wood grain, a green house wall, light blue peeling paint, dark steel beams, a black-and-white mountain landscape, rippling blue water, and a grayscale cityscape. The pieces overlap in a geometric, multi-patterned composition.

A purple calla lily is displayed across four horizontal strips of paper. The flower shifts slightly in alignment between the segments, showcasing its deep magenta petals and a central yellow spadix against a stark white background.

A person with slicked-back blonde hair sits on a stool, looking directly at the camera with their arms crossed. They wear an oversized black blazer over a white shirt, with their legs apart and a small tattoo visible on their upper thigh against a plain white background.

A collage featuring a close-up of a person wearing a grey denim top and a white cardigan, holding a smooth, dark burgundy leather pouch bag. The layered images are held together by two thin, tan-colored elastic bands running horizontally across the center.

A collage features a vertical portrait of a person in a blue blazer over a light background. Two horizontal rubber bands, one tan and two red, are stretched across the center of the composition.

A model stands against a white wall, partially obscured by a frosted glass panel featuring abstract white line drawings. She wears a cream-colored textured sleeveless jacket over a ribbed sweater and white trousers, looking directly at the camera with a neutral expression.

A person wears a dark navy button-down shirt tucked into high-waisted dark blue jeans. A rectangular piece of frosted glass featuring faint, abstract white line markings partially overlaps the figure, obscuring part of the torso and one hand in a pocket.

A collage of Bottega Veneta fashion images on a green background. Features include a yellow skirt, a burgundy platform heel, a mans face, a cream turtleneck, green textured tights, a gold fish-shaped bag handle, and a person in a patterned sweater. Text reads Bottega Veneta.

A collage of fashion runway photos against a red background features models wearing red and neutral clothing. Notable details include a black sweater, a bright red structured handbag, and various accessories like small pouches and a metallic bangle held by models in red stockings.

A person with dark hair pulled back poses in a color-blocked blue and red swimsuit against a white background. The image is layered with artistic, translucent brushstroke effects in shades of blue, red, and orange that partially obscure the subject and the edges of the frame.

A collage features a black high-heeled shoe against a light blue background. Geometric paper shapes in red, blue, and black surround the shoe, all set on a speckled white surface.

A collage of six photos shows a person in a pink coat reaching toward a red balloon floating against a pale blue, cloudy sky. In each frame, the person looks upward, their hand extended as if chasing or catching the heart-shaped balloon drifting above them.

A uniform, light gray background with a subtle, fine-grained texture throughout.

A black-and-white collage features overlapping images of womens legs in high heels and minimalist skirts. Translucent layers create a fragmented effect, showcasing shoe silhouettes and partially visible garment tags with text including Made in Italy and Paris.

A person with long, dark hair wears a black, sleeveless mini dress and matching opera-length gloves. A collage effect overlays a large, cropped close-up of their eye and a hand wearing a glove over their face, set against a stark white background in black and white.

A black and white photo collage shows a woman with long, dark wavy hair wearing a black crop top and matching mini skirt. She is posed standing in front of a neutral background, with multiple overlapping vertical segments creating a fragmented, layered effect.

A young woman with wavy hair and a tank top reclines in a black-and-white photograph. The image is layered with a torn piece of orange paper on the left and a green strip on the right featuring the partial German text Zimmerpfla.

A woman with shoulder-length dark hair is shown in a black-and-white collage of two overlapping vertical strips. In the left panel, she gazes toward the left, while the right panel shows her arms raised behind her head, all set against a textured, light-colored background.

A black-and-white daisy is partially obscured by shards of broken glass. The petals are framed and fractured by the sharp, reflective edges of the glass fragments against a plain, light background.

Sharp shards of clear glass are scattered across a deep rust-colored surface. The shadows of tall, thin wildflowers are cast through the glass, creating distorted, blurred silhouettes against the dark background.

A collage of translucent glass fragments in various shades of blue, red, and grey are arranged on a white background. Some pieces feature subtle silhouettes of flowers and foliage, while others are solid, semi-transparent colors with visible chipped edges.

A pale, translucent poppy flower is captured in soft focus. The delicate, crumpled petals transition from light pink to withered, rusty brown, surrounding a detailed yellow center atop a thin, hairy green stem against a light, neutral background.

A close-up collage features a person with auburn hair, light green eyes, and freckles, partially obscured by pale pink paper layers. Two thin, rose-toned cords stretch horizontally across the top of the composition, which is set against a plain white background.

A close-up of a person with deep skin tone wearing a sheer, peach-colored long-sleeved top layered over a white garment. A vertical, translucent white overlay partially obscures the left side of the image, creating a soft, layered effect against the neutral background.

A person with short, dark curly hair and deep skin is seen from behind, wearing a cream-colored two-piece set with thin straps. They stand against a pale, overcast sky.

A person with dark hair pulled back smiles while wearing an oversized, light-colored blazer over a patterned shirt. They are positioned against a digital collage background of blue sky and clouds that forms a rectangular frame around them.

A young woman with freckles and long, dark hair looks to the left, wearing a sleeveless, beige collared shirt. She has prominent gold hoop earrings composed of multiple stacked rings against a pale, blocky background.

A person with dark skin wears a yellow suit decorated with small brown insects standing in a harvested wheat field under a cloudy sky. The image features a digital glitch effect where sections of the figure and background are slightly offset or cropped into rectangular blocks.

A surreal collage of black-and-white rock formations creates a recursive tunnel effect. Each layer of torn paper reveals a smaller, identical view of the rocky landscape, drawing the eye toward a distant, bright center.

A collage features a layered, circular cutout revealing a bright blue sky, green cacti, and rocky desert terrain. The torn paper edges create a concentric, tunnel-like effect that frames the desert landscape.

A collage features a midsection view of a person in a light pink bikini top and navy bottoms. The figure is layered over a backdrop of textured paper, a pale pink oval shape, and a grainy image of ocean waves crashing against a shoreline.

A collage features a persons tanned back in a blue swimsuit, their hands adjusting the thin straps. Behind this, segments of a yellow sunflower and crashing ocean waves are layered. A single length of blue string loops over the images, casting faint shadows.

A collage shows two black-and-white fragments of skin draped with liquid-like, metallic silver chains against a flat gray background. The images are slightly offset, creating a disjointed view of the reflective jewelry resting against smooth curves of flesh.

A silver, twisted-link bracelet is worn on a persons wrist. The image is a collage featuring a black-and-white photograph of the arm against a plain, light brown paper background.

A collage featuring a partial black-and-white image of a birds head and neck layered under a translucent sheet of paper. The image is set against a solid, dark gray background with a single, tiny vertical line rising from the birds dark, rounded shoulder.

A black-and-white photograph of a single mushroom centered on a light-colored background. The mushroom casts a long, sharp shadow to its left. This image is layered over a dark red rectangular frame, which is set against a larger, textured beige paper background.

A collage features a close-up photograph of a birds wing with warm-toned feathers layered over a piece of textured light gray paper and a larger, darker rectangle of corrugated cardboard. The elements are partially translucent and fastened together with thin metal staples.

A black-and-white collage shows a person sitting with their eyes closed, wearing a dark blazer over a shirt and jeans. They have a large, circular straw-like hat framing their face and rest their hands on a prosthetic leg. The background consists of overlapping paper rectangles.

A black-and-white collage features a person posing in layered, oversized clothing including a blazer, striped shirt, and loose trousers. The figure wears a head covering and stands against a geometric background of overlapping off-white paper shapes.

A woman wearing a straw hat and head covering looks toward the left in this collage-style portrait. She is layered in textured clothing, including a jacket and draped fabrics, against a backdrop of abstract, translucent paper shapes in neutral tones.

A young man with a beanie and a cigarette in his mouth leans against a large concrete pillar. He is dressed in a white t-shirt and dark jeans, holding a jacket. The black-and-white photo features a textured, distressed film overlay with light streaks.

A person wearing dark clothing reaches toward a large, vertically oriented rectangular panel floating against a white background. The image is a black-and-white collage with torn paper edges and a textured, grainy aesthetic.

A young man stands centered against a background overlaid with bold, radiating brushstrokes of bright orange. He wears a plaid button-down shirt and matching shorts, white socks, and sneakers, set against a grayscale urban backdrop.

A collage features a black-and-white photograph of a person wearing a dark coat and light-colored pleated trousers. The image is layered over grey and white rectangular panels with faint, partially visible text reading museum and Art, New Yor at the edges.

A swimmers head and shoulders emerge from dark water in a black-and-white photo layered over solid blocks of yellow and red. The image is split, with the waters rippling surface on the left and a textured, paper-like background on the right.

A swimmer wearing a cap and goggles surfaces underwater, exhaling a stream of bubbles toward the surface. The image is a collage with a grainy, black-and-white photo on the right set against solid, textured panels of red and rust orange on the left and bottom.

A black-and-white photo of a swimmer floating on their back, set against a collage background of solid blue, yellow, and orange panels. The swimmer wears goggles and a cap, with a small tattoo visible on their upper arm.

A black-and-white portrait of a person is layered with translucent images of a bird and a gloved hand obscuring part of their face. The square print is pinned to a textured, light gray backing material.

A blank sheet of white paper with a subtle, grainy texture visible throughout. The surface is uniform, showing no marks or writing.

An orange snakeskin shoulder bag shown from the front and side against a textured off-white background. The bag features a glossy, patterned leather finish and gold-toned metal horsebit hardware on the front flap.

A bright green, woven leather handbag with a chunky, gold-toned triangular clasp. The bag features a wide, adjustable shoulder strap and is presented against a fragmented, off-white background.

A collage of stacked luxury shopping bags and boxes features an orange Balenciaga bag, a turquoise Tiffany & Co. box, and olive green Gucci bags. The items are layered against a plain white background, highlighting branded logos and textures.

A black-and-white cutout of a woman with long hair looking directly at the camera. She wears a cable-knit cropped sweater and high-waisted shorts, set against a plain off-white background.

A woman with wavy hair wears a cropped cable-knit sweater and high-waisted shorts in this black-and-white cutout portrait. A border of vibrant red hand-painted dots frames the figure against a plain light gray background.

Two shards of a broken mirror lie against a white background. One piece reflects a close-up of a human eye and part of a face, while the other smaller, darker piece reflects texture and light.

A hand with fingers splayed reaches upward against a muted, collage-style background. The person wears a long-sleeved white garment layered under a dark olive-green jacket sleeve with a visible buttoned cuff.

A black-and-white photo collage of a person with a cap, reconstructed from several overlapping square prints. The subject has a playful expression with their tongue out, and the fragmented edges of the individual squares create a distorted, layered effect against a white background.

A portrait of a person wearing a tight black hood with a pointed back, their face highlighted by bright red lipstick. The image is layered over semi-transparent sheets against a white background, creating a soft, ethereal effect.

A collage shows a person wearing a dark pleated skirt, light-colored ribbed socks, and black lace-up oxford shoes. The image is composed of overlapping, translucent rectangular paper layers against a neutral, off-white background.

A young man with short, dark hair sits on a stool, wearing a beige zip-up jacket over a white tank top and fitted trousers. The image is composed of multiple overlapping photographic segments against a white background, creating a collage effect.

A collage shows a person wearing camouflage trousers and holding an olive green jacket. Below, a second image shows a person in a grey coat and white sneakers. The overlapping photos are set against a plain, light grey background.

A man with short hair and a neutral expression sits in a tan jacket and brown trousers against a white tiled wall. A smaller, inset photo shows a close-up of his hands resting on his lap. The image has a textured, layered aesthetic with white paper edges.

A young man with short dark hair and painted white markings on his arms and legs wears a harness over his bare chest. He holds a large black duffel bag in a grassy outdoor setting, captured in a black and white photograph.

A short-haired woman in a white crop top and black midi skirt leans against a sculptural glass chair. The black-and-white portrait is layered over a tan collage of overlapping rectangular paper shapes.

A sleek black John Lobb dress shoe is shown from a top-down view. The right side of the shoe transitions into a rough, textured, reddish-brown sketch effect, set against a plain cream background.

A black leather Chelsea boot is shown against a split background of cream and dark blue. The toe of the boot extends into the blue section, where it is illustrated as a rough, white pencil sketch.

A person with dark skin tilted upward looks at a small flower dangling from a hand above them. The composition is a grayscale collage on a textured, beige background with visible film grain.

A collage of black-and-white photographs set against a beige paper background. A young person with short, dark curly hair looks toward the viewer, interspersed with close-up shots of striped fabric and folded material in a fragmented, geometric arrangement.

A black-and-white collage features a person in a dark blazer bending forward, wearing a single pearl earring. They hold a black textured Balenciaga clutch behind their back. The image is layered with rectangular paper elements in muted grey and tan tones.

Born in England, Martin studied graphic design at Collage and then Illustration at Kingston University London. Upon graduating he moved to Berlin where he started working as a high-end retoucher in an agency.
He began working on commercial and editorial projects, alongside art directors and photographers.
In the same time, he developed his own identity with complex & sensitive compositions mixing perspectives and trompe l’oeil, with a strong creative sense for the animation of his own visuals.
In recent years, he has been able to put all his image-making skills to good use, working on commercial projects with Cartier, Jacquemus, Hermès, Lacoste… and editorial work with magazines such as I-D, Vogue and Harper’s bazaar.